Masters in This Hall Cover Image

Masters in This Hall: SAB Choral Octavo

$1.80 USD
Sale price  $1.80 USD Regular price 
Skip to product information
Masters in This Hall Cover Image

Masters in This Hall: SAB Choral Octavo

Traditional French Carol, words by William Morris / arr. Jay Althouse

Item: 00-35631

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.80
Shipped

One moment…

Description
Fresh-sounding harmonies and a rich accompaniment drive this powerful arrangement to a majestic and dramatic finish. Sure to be a holiday concert highlight.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Masters in This Hall: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081398273
SKU: 00-35631

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he earned the Distinguished Alumni award. His eight-year tenure in rights and licensing at a major educational publisher gave him deep insight into what choirs need, and he served on the Executive Board of the Music Publishers Association of America during that period.

As a composer, Althouse has over 800 choral works in print, performed widely across English-speaking countries. He is a writer member of ASCAP and a frequent recipient of the ASCAP Special Award. Beyond compositions, he has co-written children's musicals with his wife Sally K. Albrecht, compiled celebrated vocal solo collections, and authored instructional resources including The Complete Choral Warm-up Book and Accent on Composers. Althouse has also contributed to the Folk Art Society of America as a board member and writer, and resides in Wake Forest, North Carolina.

Why we love this

Althouse brings a distinct sensibility to traditional carol arrangements, favoring harmonic color and dramatic arc over predictable voicings. The SAB setting keeps the piece accessible without sacrificing sophistication, and the rich accompaniment transforms what could be a simple carol into a concert moment that genuinely lands with audiences.

What to expect

Fresh, confident, and celebratory. The arrangement marries traditional carol warmth with contemporary harmonic language, creating something that honors the carol's roots while sounding unmistakably modern. The progression toward a majestic, dramatic finish builds genuine emotional power without sentimentality.

Who it's for

Choirs with singers ranging from developing to accomplished voices will find this arrangement rewarding. It works particularly well for community choirs, church choirs, and secondary school groups seeking substantial holiday literature that sounds far more complex than it is to sing.

How to get the most out of it

  • Shape the accompaniment carefully; its richness can easily overwhelm three-part voices if the balance isn't tight in rehearsal. Mark your score with dynamic choices that let the harmonies breathe.
  • Build energy progressively through the arrangement rather than starting forte. This reserves real power for the majestic finish and keeps the arc from flattening.
  • Tune the upper voices and alto carefully during full sections. SAB voicings can sound thin if intonation slips, especially when the accompaniment carries thick harmonies beneath.

How to use it

Position this as a centerpiece in a holiday concert's second half, where its dramatic arc and accessible beauty give audiences a moment to settle into the concert while keeping energy high. It pairs well with lighter carols earlier in the program and can anchor a set of diverse holiday styles.

Skills your students will build

  • Balancing three-part harmony over a complex harmonic accompaniment
  • Building and releasing musical tension across a large formal structure
  • Sustaining tone and intonation in upper voices during full ensemble sections
  • Interpreting dynamic and expressive markings that create dramatic shape

You May Also Like