Masters in This Hall Sheet Music Preview

Masters in This Hall: TTBB Choral Octavo

Traditional French Carol, words by William Morris / arr. Jay Althouse

Item: 00-PO-0001020

Digital Download
$1.80

Minimum order quantity: 20 copies

Description
Fresh-sounding harmonies and a rich accompaniment drive this powerful arrangement to a majestic and dramatic finish. Sure to be a holiday concert highlight.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001020

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His career spans both the publishing side of music education, where he spent eight years as a rights and licenses administrator and served on the Executive Board of the Music Publishers Association of America, and composition, where he has established himself as a prolific voice in choral music with over 800 published works performed regularly across the English-speaking world.

Althouse's contributions to music education extend well beyond his choral compositions. He is an ASCAP writer member and frequent recipient of the ASCAP Special Award, a co-author of The Complete Choral Warm-up Book and Accent on Composers, and creator of classroom resources including Ready to Read Music and Sixty Music Quizzes. His collaborative work with his wife Sally K. Albrecht includes children's musicals and the choral work I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Based in North Carolina, he has served the North Carolina Master Chorale and currently sits on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse brings serious harmonic craftsmanship to this carol without sacrificing the directness that makes traditional music connect with audiences. The arrangement balances accessibility for TTBB ensembles with enough textural sophistication to keep singers engaged, and the push toward that dramatic final section gives your singers a rewarding performance arc rather than a rote retelling of a familiar melody.

What to expect

The arrangement honors the carol's medieval roots while casting it in contemporary harmonic light. As you move through the verses toward the finale, the music builds from contemplative richness to a declaration that feels both majestic and earned.

Who it's for

This arrangement works for mixed college choirs, adult community ensembles, and advanced high school TTBB groups ready to tackle more sophisticated harmonies without sacrificing the carol's essential character. Singers comfortable with four-part voicing and able to handle rhythmic precision will find the fresh harmonic language rewarding.

How to get the most out of it

  • Build the dynamic trajectory gradually through the verses so the climactic finish feels genuinely earned rather than arbitrary. Mark your conductor's score with dynamic waypoints to keep the ensemble tracking toward that majestic ending.
  • Balance the accompaniment carefully in rehearsal. The rich harmonic underpinning should support the voices without overwhelming them, so experiment with instrumental voicing and dynamics until the voices sit on top comfortably.
  • Shape the phrase endings in the lower voices with particular attention. TTBB writing can obscure voice leading if baritones and basses don't articulate their resolutions clearly.

How to use it

Reserve this for the second half of your holiday concert where your audience has settled in and your singers are fully warmed up. It serves as an excellent closer or bridge between lighter seasonal fare and more liturgical pieces, offering the kind of harmonic substance that elevates a holiday program beyond expected fare.

Skills your students will build

  • Sustaining harmonic complexity in TTBB voicing without losing textural clarity
  • Building dramatic arc through carefully controlled dynamic progression
  • Balancing vocal lines with piano or keyboard accompaniment
  • Interpreting traditional material through contemporary harmonic arrangements

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