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Let's Get Loud: SAB Choral Octavo

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Let's Get Loud Cover Image

Let's Get Loud: SAB Choral Octavo

Words and music by Gloria Estefan and Kike Santander / arr. Kirby Shaw

Item: 00-38236

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Description
What a fabulous Latin groove! Recorded first by Gloria Estefan and more recently by Jennifer Lopez, this one's hot, hot, hot! Pump it up!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Let's Get Loud: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081427072
SKU: 00-38236

More about this title

About the Composer: Gloria Estefan

Gloria Estefan emerged from Miami's vibrant Cuban-American music scene to become one of the most successful crossover artists in pop history. Her work spans decades of chart-topping hits that blend Latin rhythms with pop sensibility, establishing her as a cultural bridge between musical traditions and a powerful voice in mainstream music.

Why we love this

Kirby Shaw's arrangement captures the infectious energy of the original without oversimplifying for three-part voices. The Latin groove feels authentic and danceable, giving your singers something genuinely fun to perform rather than a diluted pop cover.

What to expect

Electric and celebratory. The Latin percussion and propulsive rhythm create an immediate sense of movement and joy. Even at a moderate tempo, the groove feels like a party in progress.

Who it's for

Choirs seeking high-energy contemporary repertoire that feels current and singable at the same time. This works beautifully for mixed ensembles of intermediate ability where singers want to perform music they actually know and enjoy.

How to get the most out of it

  • Lock the percussion and rhythm section into a tight pocket; the groove drives everything, so rhythm precision matters more than vocal perfection on early run-throughs.
  • Lean into the sass and attitude of the lyric. This isn't a ballad. Your singers should feel permission to have fun with the character and energy.
  • Balance the sopranos and altos carefully during unison passages so the part that carries the melody cuts through without drowning out harmonic support.
  • Use the recorded accompaniment to internalize the groove and style; three-part singers often need a strong external reference to find their confidence in a contemporary pop arrangement.

How to use it

Program this as a concert closer or a contrast piece between heavier classical or contemporary work. It's also ideal for pops concerts, holiday shows, or any setting where you want the audience smiling and energized as they leave.

Skills your students will build

  • Rhythmic precision in a syncopated Latin groove
  • Balancing melody and harmony in three-part pop textures
  • Stylistic interpretation of contemporary vocal music
  • Ensemble blend and blend across voice parts with limited harmonic independence

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