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Let's Get Loud: SATB Choral Octavo

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Let's Get Loud Cover Image

Let's Get Loud: SATB Choral Octavo

Words and music by Gloria Estefan and Kike Santander / arr. Kirby Shaw

Item: 00-38235

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Description
What a fabulous Latin groove! Recorded first by Gloria Estefan and more recently by Jennifer Lopez, this one's hot, hot, hot! Pump it up!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Let's Get Loud: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081427065
SKU: 00-38235

More about this title

About the Composer: Gloria Estefan

Gloria Estefan stands as one of the most successful crossover artists in modern music history, bringing Latin rhythms and infectious melodies to mainstream audiences since the 1980s. Her work with Miami Sound Machine and her solo career established her as a composer and performer who understands how to craft songs with immediate appeal, rhythmic sophistication, and genuine emotional resonance. For music educators, her catalog offers accessible entry points into Latin music styles without sacrificing authentic groove or musicianship.

Why we love this

This arrangement captures the infectious energy of the original while remaining genuinely singable for developing choirs. Kirby Shaw's voicing respects the Latin percussion-driven texture of the tune, so your singers can lock into the groove rather than fighting against it. The combination of accessibility and authentic flavor makes this one of those pieces that gets genuine enthusiasm from students while still teaching real rhythmic and stylistic skills.

What to expect

Radiantly energetic and joyful, with a driving Latin groove that makes you want to move. The arrangement thrums with percussion-influenced figures and syncopated melodic lines that feel simultaneously modern and musically substantive.

Who it's for

Any SATB choir looking to energize an audience and build confidence around contemporary music and Latin styles. Intermediate to advanced treble singers will appreciate the accessibility of individual parts, while the overall arrangement challenges ensemble precision and rhythmic awareness at all voice levels.

How to get the most out of it

  • Anchor the rhythm section parts (basses and tenors especially) to a steady pulse; this tune lives in the pocket, and if the lower voices lock in, the entire arrangement tightens immediately.
  • Emphasize the syncopation in the soprano and alto lines without rushing; let each offbeat breathe rather than pushing ahead.
  • Shape the dynamic arc deliberately across the form. Build intensity gradually rather than hitting full volume at the first loud marking, so you have somewhere to go for the final section.
  • Lean into the Latin articulation style: crisper consonants, slightly shortened vowels on rhythmic figures, and a conversational ease on longer sustained notes. This isn't operatic legit singing.

How to use it

Slot this into concert closings or pops programs where you want to send the audience out with genuine momentum and joy. It also works excellently as a lighter moment in a concert that includes more substantial repertoire, or as a bridge piece between classical and contemporary selections to keep energy alive through program flow.

Skills your students will build

  • Singing syncopated rhythms with confidence and precision
  • Understanding and performing Latin rhythmic styles
  • Blending soprano and alto figures into cohesive melodic lines
  • Maintaining steady groove while executing dynamic and textural changes
  • Articulation and diction specific to contemporary Latin music styles

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