Let's Do It (Let's Fall in Love): SATB Choral Octavo

Jay Althouse's arrangement captures the song's comedic spirit while building real musical momentum. The progression from intimate verse through genuine swing to the final kick-line section gives your choir distinct moods to inhabit, and the recorded accompaniment makes this accessible for groups without a jazz pianist.

Sophisticated fun. The early verses feel intimate and slightly conspiratorial, as if the singer is letting you in on a secret. Once the swing kicks in, the energy becomes infectious and playful, building to a finale that practically demands the audience to smile.

Any SATB choir ready to tackle swing style with a lighter touch. The arrangement works equally well for concert choirs seeking a crowd-pleasing closer and show choirs wanting a jazz number with real personality.

• Let the opening verse breathe with conversational phrasing; Porter's lyric needs room to land.
• Nail the rhythmic precision in the swing section. Althouse's harmonies shine when the ensemble locks together on eighth note patterns.
• Embrace the theatrical energy of the tag. This isn't a polished ending; it's meant to feel celebratory and a little raucous.

This lands perfectly as a penultimate number on a spring or pops concert, giving your audience a breather before a final ballad or dramatic closer. It also makes an excellent opener if you're building a program around American songbook standards or jazz repertoire.

• Swing articulation and phrasing
• Lyrical storytelling with comic timing
• Jazz voicing and harmonic color
• Rhythmic precision in syncopated passages
• Balancing ensemble blend with personality in a popular style