Let's Do It (Let's Fall in Love): Choral SoundPax

Jay Althouse's arrangement captures the essential Porter without condescension, respecting both the song's sophisticated humor and its accessibility as a group experience. The arc from intimate verse to full-throttle swing to a spirited finale gives choirs real dramatic shape to work with, transforming what could be a novelty into a genuine showstopper.

The piece opens with warmth and vulnerability before shifting into the irresistible momentum of a swing number. Porter's cleverness lands in the lyrics, while Althouse's arrangement lets the ensemble sink into the groove and finish with unabashed joy.

Choir directors seeking repertoire that audiences enjoy without sacrificing musicality will find this arrangement hits the mark. It works equally well for show choirs, concert choirs looking to lighten a program, or any ensemble comfortable with swing style and comfortable being entertaining.

• Nail the comedy in the verse by keeping it conversational and intimate; resist the urge to overstate the humor before the ensemble joins in.
• Lock the rhythm section tight during the swing section so the singers can relax into the groove rather than fighting against it.
• Build the kick-line tag with gathering energy, treating it as a genuine celebration rather than an afterthought; this is where the arrangement earns its payoff.

This works as a palate cleanser between serious works or as the closer to a concert that needs to send the audience out smiling. Consider pairing it with other Porter standards or other American songbook arrangements to create a full set.

• Swing rhythms and triplet-based subdivision
• Lyric clarity and comedic timing in ensemble
• Sectional independence while maintaining group cohesion
• Dynamic control across contrasting sections (intimate to energetic)