Let's Do It (Let's Fall in Love): SAB Choral Octavo

Jay Althouse's arrangement captures the playful architecture of Porter's original without requiring a large ensemble or extensive rehearsal time. The progression from gentle verse to swinging chorus to energetic kick-line finale gives your singers a complete performance arc, and SAB voicing makes this accessible to mixed choirs with limited soprano or bass resources.

Urbane and buoyant. The piece opens with warmth and sophistication, then pivots into irresistible swing energy with a wink and a smile. The final kick-line section delivers pure theatrical joy, the kind of moment audiences remember long after the concert ends.

Mixed choirs seeking a crowd-pleasing jazz standard that sits comfortably in SAB range. This works equally well for high school ensembles, adult community choirs, and collegiate groups building a light or pops concert program.

• Shape the opening verse with rubato and intimate phrasing; this sets up the contrast when the swing section kicks in.
• Lock the rhythmic precision of the kick-line tag with your rhythm section or recorded accompaniment; the payoff depends on crisp ensemble attack.
• Bring dynamic clarity to the list song section by highlighting the clever lyrical content; Porter's humor lands when the text is heard clearly.

Place this in the second half of a concert where audiences are warmed up and ready for humor and energy. It pairs beautifully with other Porter standards or with contemporary pop arrangements, and it's particularly effective as a pops or spring concert closer.

• Swing rhythm and jazz articulation
• Contrast in phrasing and dynamic shaping
• Syncopated melodic lines and ensemble precision
• Confidence performing comedic or theatrical material