Let's Do It (Let's Fall in Love): SoundTrax Digital Audio Download

Jay Althouse's arrangement captures the elegant simplicity that makes Porter's standard so singable while preserving the harmonic sophistication that musicians actually enjoy. This is the kind of accessible jazz standard that audiences recognize instantly, which means your choir gets the reward of performing music people genuinely want to hear. It's a reliable choice for mixed ensembles looking to add jazz repertoire without navigating extreme ranges or dissonant harmony.

Breezy and romantic with an undercurrent of knowing humor. The melody floats easily over gently swinging chords, creating the warmth of a 1950s lounge without kitsch. It invites singers to enjoy the text and audiences to settle in for something they recognize and love.

Mixed choirs, show choirs, and jazz ensembles looking for accessible standard repertoire that bridges pop and jazz traditions. Directors seeking a piece with immediate audience appeal and manageable technical demands will find this a practical addition to a spring concert or jazz-focused program.

• Shape the melody with conversational phrasing rather than strict beat adherence; Porter's lyrics beg for natural speech rhythms and flexibility in the tempo.
• Balance the voices so the lead line remains clear even when accompanied by jazz voicings; the harmonic color matters only if the tune stays audible.
• Use the recorded accompaniment to anchor harmonic precision during rehearsal, then gradually reduce reliance on it as tuning stabilizes.
• Articulate consonants crisply on the text to keep Porter's clever rhymes and wordplay from blurring together.

Pair this with other Porter standards or classic jazz repertoire to build a cohesive set that demonstrates your ensemble's versatility in the pop-jazz idiom. It works beautifully as a closer to a lighter concert set or as an opener that immediately establishes a relaxed, sophisticated mood. Consider programming it where you want to remind audiences that choral singing encompasses more than classical literature.

• Jazz phrasing and swing articulation
• Harmonic listening in contemporary jazz voicings
• Interpreting written lyrics with conversational inflection and style
• Ensemble blend across upper and lower voice parts in close harmony
• Rhythmic precision while maintaining expressive flexibility