Let's Do It (Let's Fall in Love): Choral Octavo SoundTrax CD

Jay Althouse's arrangement captures the playful sophistication of Porter's original while building in dramatic shape that works brilliantly with mixed choirs. The progression from gentle verse into full swing groove to a high-energy finale gives singers real narrative arc to sink their teeth into, and audiences consistently light up at the familiar hook. This is the kind of crowd-pleaser that shows off your ensemble's versatility without requiring vocal gymnastics.

Sophisticated and playful, with the romantic swagger of 1920s-1930s Broadway filtered through a modern swing sensibility. There's genuine warmth in the opening, then a shift into urbane groove that feels both classic and immediately engaging, finishing with the kind of infectious joy that makes audiences want to join in.

Mixed choirs looking for a polished, entertaining standard that sits comfortably in the jazz-pop repertoire. This works equally well for high school show choirs, college a cappella groups, and community theater singers who want a familiar piece with professional arranging and genuine musical content.

• Shape the opening verse with restraint and warmth; let the contrast with the swing section that follows land harder. The understated start is what makes the energy shift feel earned rather than sudden.
• Lock the rhythm section (piano and bass if using instrumental parts) into the swing feel early in rehearsal so singers can relax into the groove instead of fighting it. Once the pulse is solid, the vocal lines sit much more naturally.
• Bring clarity to the 'list song' section by treating each phrase as a distinct thought rather than rushing through the catalog. Articulation and slight rhythmic independence between sections will keep the lyrics landing with their intended humor.
• The kick-line tag at the finish needs unified rhythmic precision and committed energy from the full group. Rehearse this section with the recorded accompaniment to lock the timing and build momentum toward your final chord.

Program this as a centerpiece for a jazz or standards-focused concert, or use it as the opener to a mixed program where you need immediate audience connection and a confident musical statement. It pairs naturally with other Porter material or with mid-century pop standards, and the shorter length makes it ideal for concert finales or showcase programs where you want to end on an upbeat, unified moment.

• Swing rhythmic feel and jazz articulation
• Lyrical delivery in fast-moving text passages
• Dynamic contrast between verse and chorus sections
• Ensemble cohesion in rhythmically driven material
• Interpretation of sophisticated harmonic movement