Jingle Bells (Sort Of) Cover Image

Jingle Bells (Sort Of): 2-Part Choral Octavo

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Jingle Bells (Sort Of) Cover Image

Jingle Bells (Sort Of): 2-Part Choral Octavo

Words and music by James Pierpont / arr., with new words, by Jay Althouse

Item: 00-37971

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Description
What a mixed-up, mixed meter, crazy and fun arrangement of "Jingle Bells!" As the lyric states, "The melody's the same; the rhythms, they are not."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jingle Bells (Sort Of): 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081424439
SKU: 00-37971

More about this title

About the Composer: James Pierpont

James Pierpont (1822-1893) composed one of the most enduring melodies in American popular music. His 1857 song "Jingle Bells" has become synonymous with Christmas celebrations worldwide, transcending its original context as a secular winter novelty to achieve nearly universal recognition across cultures and generations.

Pierpont's gift lay in crafting simple, memorable melodies that lodge themselves in public consciousness. While he composed numerous songs and piano pieces throughout his career, "Jingle Bells" remains his legacy. The tune's accessibility and infectious quality have made it an ideal candidate for creative reinterpretation by arrangers across every musical genre and skill level.

Why we love this

Jay Althouse takes the world's most recognizable Christmas melody and scrambles the rhythmic foundation beneath it, creating genuine surprise and laughter without abandoning the tune itself. Your singers will delight in the cognitive challenge of tracking a familiar melody through unexpected meters, and your audience will appreciate humor that never condescends. This arrangement reminds us that novelty arrangements aren't just time-fillers; they're powerful tools for building rhythmic confidence and keeping rehearsals energized.

What to expect

Imagine hearing an old friend's voice coming through a funhouse mirror. The melody remains instantly recognizable, but the rhythmic ground shifts beneath it in unpredictable and joyful ways. There's real musicality here beneath the humor; the mixed meters create genuine interest rather than mere gimmickry, and the arrangement rewards singers who commit fully to its playful spirit.

Who it's for

Directors seeking an entertaining novelty piece for 2-part choirs, especially in school or community settings where the familiar melody ensures immediate engagement from audiences. The 12-page arrangement works well for intermediate choirs comfortable with independent vocal lines and rhythmic complexity. Singers need secure sight-reading skills but not advanced ensemble experience.

How to get the most out of it

  • Lock in the meter changes before you address tone or blend. Have your ensemble count aloud through transitions, verbalizing the shift from one time signature to the next until the changes feel automatic.
  • Use the recorded accompaniment during rehearsals to anchor singers to the harmonic progression while they navigate the rhythmic surprises. The track removes one variable so your singers can focus solely on rhythmic precision.
  • Emphasize the lyric's honesty in rehearsal: "the melody's the same; the rhythms, they are not." Singers who understand they're meant to hear the familiar tune amid the chaos perform with better confidence and clearer intention.
  • Mark every meter and tempo change clearly in your scores. Color-coding or labeling these transitions in rehearsal copies prevents the scrambled rhythms from creating uncertainty during performance.

How to use it

Program this as a lighthearted palate cleanser between more serious winter repertoire, or open a holiday concert with it to signal that the evening will balance traditional reverence with contemporary fun. The novelty approach makes it ideal for mixed programming where you want to reach audiences beyond typical concert-choir demographics, and the Christmas setting means it fits naturally into your December schedule.

Skills your students will build

  • Reading and performing mixed meters (duple and triple subdivisions in sequence)
  • Tracking a melodic line across unexpected rhythmic changes
  • Independent part singing in 2-part texture
  • Rhythmic precision through meter transitions and tempo adjustments
  • Understanding how arrangement can reimagine familiar material

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