Jazz Vocal Solos with Combo Accompaniment Cover Image

Jazz Vocal Solos with Combo Accompaniment: Drum Book

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Jazz Vocal Solos with Combo Accompaniment Cover Image

Jazz Vocal Solos with Combo Accompaniment: Drum Book

Arr. Dave Wolpe

Level: Intermediate Plus

Item: 00-SPVM03008

$8.95
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Description
Titles are: Do Nothin' Till You Hear from Me * Embraceable You * How Long Has This Been Going On? * The Lady Is a Tramp * Love Is Here to Stay * The Man I Love * Moonlight in Vermont * Nice Work If You Can Get It * Summertime (from Porgy and Bess) * You Do Something to Me.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-1234-6
ISBN13: 978-0-7579-1234-4
UPC: 654979058199
SKU: 00-SPVM03008
Instrumentation: Drums

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his career as a composer and arranger in 1965, developing a deep expertise in the big band and jazz ensemble idiom. His work has graced the Glenn Miller Orchestra for decades, and he served as co-arranger on the platinum-selling In the Christmas Mood. Beyond Glenn Miller, Wolpe has supplied arrangements to prominent orchestras led by Ray Anthony, Lawrence Welk, and Les Brown, earning recognition as a trusted voice in the swing and traditional jazz world.

Why we love this

Wolpe's drum charts respect the role of the kit as a conversation partner rather than a metronome. Each arrangement sits at that sweet spot where drummers have genuine musical choices to make, whether to play busier fills during vocal passages or pull back to frame the vocalist, without requiring a virtuoso technique to execute the gig cleanly.

What to expect

These standards carry the warmth and sophistication of the Great American Songbook. Wolpe's voicings lean toward the classic swing era while remaining fresh and singable, creating an atmosphere that feels both timeless and welcoming.

Who it's for

Intermediate-plus drummers ready to accompany jazz vocalists and understand how to frame a singer rather than overshadow them. This book works for school jazz ensembles with a strong vocal program and for combos preparing for jazz competitions or concert settings.

How to get the most out of it

  • Balance your kick drum with the bass player; these vocal features need room for the melody to breathe, so lock into the low end rather than fight for space.
  • Lay out entirely on certain phrases to let the vocalist command the room, then re-enter with a clear statement when the combo comes back in.
  • Treat the hi-hat as your primary voice during the sung melody; reserve busier patterns for the snare and kick once the instrumental solo section takes over.
  • Listen closely to the bass line for cues about whether to push forward or lay back; jazz standards demand responsiveness, not rigidity.

How to use it

Use this collection to build a vocal jazz concert or showcase featuring your best singers alongside the ensemble. The ten titles offer enough variety to span an entire jazz night without repeating a mood, and the intermediate-plus level makes it accessible for school ensembles while still sounding polished.

Skills your students will build

  • Accompanying vocalists with sensitivity to phrasing and breath
  • Comping techniques appropriate to swing and ballad feels
  • Listening and responding to bass lines and harmonic movement
  • Dynamics control across kick drum, snare, and cymbals
  • Navigating shifts between vocal melody, soli, and instrumental solo sections

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