Jazz Vocal Solos with Combo Accompaniment Cover Image

Jazz Vocal Solos with Combo Accompaniment: Conductor Book

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Jazz Vocal Solos with Combo Accompaniment Cover Image

Jazz Vocal Solos with Combo Accompaniment: Conductor Book

Arr. Dave Wolpe

Level: Intermediate Plus

Item: 00-SPVM03009

$13.95
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Titles are: Do Nothin' Till You Hear from Me * Embraceable You * How Long Has This Been Going On? * The Lady Is a Tramp * Love Is Here to Stay * The Man I Love * Moonlight in Vermont * Nice Work If You Can Get It * Summertime (from Porgy and Bess) * You Do Something to Me.

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Additional Details
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7579-1235-4
ISBN13: 978-0-7579-1235-1
UPC: 654979058205
SKU: 00-SPVM03009
Instrumentation: Piano/Conductor

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has since become a trusted voice in big band and jazz ensemble writing. His work with the Glenn Miller Orchestra spans decades, and he co-arranged the platinum-selling In the Christmas Mood, demonstrating his ear for both authenticity and contemporary appeal.

Wolpe's arrangements have graced the stands of major orchestras led by Ray Anthony, Lawrence Welk, and Les Brown. His skill lies in crafting settings that honor the standards while giving ensembles room to breathe and soloists space to shine.

Why we love this

Wolpe's hand-picked selection of ten standards gives your jazz ensemble a cohesive, singable book without filler. The combo voicings keep the texture intimate while the arrangements have enough harmonic sophistication to hold an audience and challenge your players in equal measure.

What to expect

These arrangements capture the warmth and sophistication of the American Songbook without pretension. The music swings naturally, allows singers to phrase expressively, and never feels crowded or overly complex, even as the harmonic language stays rich and rewarding.

Who it's for

Jazz directors seeking a vocalist-centered book with professional-quality arrangements and genuine teaching potential. This works equally well for community jazz ensembles, high school jazz choirs, or college combos that want to build jazz vocabulary through timeless repertoire.

How to get the most out of it

  • Balance the vocalist against the combo; the rhythm section should anchor without overwhelming, and horns should listen closely to how the voice shapes the melodic line.
  • Let the pianist comp with intention during solos. These charts thrive when the accompaniment responds dynamically to what the soloist brings.
  • Brush tempos through rehearsal before settling on final timings. Each standard carries its own character, and a tempo that sings in one tune may drag in another.

How to use it

Create a dedicated jazz vocal concert featuring all ten selections, or select three or four to anchor a mixed jazz repertoire program. This book also serves as an excellent teaching text for studying how great standards can be reharmonized and reframed for different instrumental colors.

Skills your students will build

  • Comping and accompaniment listening, particularly for pianists and rhythm section
  • Jazz phrasing and lyrical improvisation within the context of American standards
  • Harmonic analysis of reharmonized melodies
  • Balancing ensemble blend when accompanying a featured soloist
  • Interpretation of swing feel at varying tempos

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