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Jazz Vocal Solos with Combo Accompaniment: B-flat Trumpet Book

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Jazz Vocal Solos with Combo Accompaniment Cover Image

Jazz Vocal Solos with Combo Accompaniment: B-flat Trumpet Book

Arr. Dave Wolpe

Level: Intermediate Plus

Item: 00-SPVM03002

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Titles are: Do Nothin' Till You Hear from Me * Embraceable You * How Long Has This Been Going On? * The Lady Is a Tramp * Love Is Here to Stay * The Man I Love * Moonlight in Vermont * Nice Work If You Can Get It * Summertime (from Porgy and Bess) * You Do Something to Me.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-1228-1
ISBN13: 978-0-7579-1228-3
UPC: 654979058137
SKU: 00-SPVM03002
Instrumentation: B-flat Trumpet

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe built his arranging career over nearly six decades, beginning in 1965 and earning recognition for his work with the Glenn Miller Orchestra. His arrangements have graced the recordings of legendary bandleaders including Ray Anthony, Lawrence Welk, and Les Brown, and he co-arranged the platinum-selling album In the Christmas Mood.

Wolpe's deep knowledge of swing and big band idioms informs every arrangement he creates. His work demonstrates the craftsmanship required to balance solo space with ensemble support, a hallmark of the jazz writing tradition.

Why we love this

Wolpe has selected ten of the most rewarding jazz vocal standards and reframed them as trumpet vehicles, giving your soloist genuine melodic material rather than hastily adapted vocal lines. The combo voicings sit comfortably behind the trumpet while maintaining the harmonic sophistication these tunes deserve, making the solos feel like genuine small-group jazz rather than transcriptions.

What to expect

Stepping into a smoky jazz club where the band knows these songs inside out and is ready to follow your lead. The arrangements provide enough structure to keep everyone together while leaving room for the trumpet's personality to shine through the standards' familiar melodies and sophisticated harmonies.

Who it's for

Intermediate-plus trumpet players ready to step into the world of jazz standards with ensemble support. This collection suits jazz ensemble programs, combo competitions, and recital performances where a soloist needs flexible, well-written arrangements that don't oversimplify the material.

How to get the most out of it

  • Anchor the rhythm section's interpretation early. Even slight differences in shuffle feel or swing eighth-note interpretation between parts can cloud the trumpet line, so lock down the groove in rehearsal before focusing on solo articulation.
  • Balance your trumpet's dynamic comfort zone against the combos energy. These arrangements give the horn room to breathe, but the player needs to project through the accompaniment without forcing or losing the lyrical quality these melodies demand.
  • Treat the standards themselves as your study guide. Listen to classic vocal recordings of these tunes first; Wolpe's chord progressions are faithful to the originals, and hearing how singers phrase the melody informs where a trumpet soloist can breathe and shape the line.
  • Pay attention to the specific voicings in lower brass parts. Wolpe writes realistic combo configurations, so the trumpet soloist benefits from understanding what the rhythm section and lower voices are doing underneath.

How to use it

Feature one title per concert to give your jazz ensemble repeated, polished performance opportunities while your trumpet soloist builds confidence across different tempos and styles. The collection works equally well as a solo recital program, where a performer could showcase the complete set or select five or six contrasting tunes for a focused set.

Skills your students will build

  • Swing phrasing and articulation in a jazz idiom
  • Reading chord changes and responding to harmonic movement
  • Balancing solo voice with ensemble accompaniment
  • Interpreting jazz standards with historical awareness
  • Managing dynamics and projection in small-group settings

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