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Java Jive: SoundTrax Digital Audio Download

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Java Jive: SoundTrax Digital Audio Download

Words by Milton Drake, music by Ben Oakland / arr. Russell Robinson

Item: 00-A-00015296

$26.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015296

More about this title

About the Composer: Ben Oakland

Ben Oakland (1907-1988) was an American composer and pianist who contributed significantly to popular music and film scores during Hollywood's golden age. His work spanned jazz standards, theatrical compositions, and film music, making him a versatile voice in mid-twentieth-century American popular song.

Why we love this

Russell L. Robinson's arrangement captures the infectious swing and rhythmic drive of this jazz standard while keeping it accessible for mixed choirs. The piece brings genuine jazz vocabulary into the choral rehearsal without requiring advanced improvisation skills, making it a refreshing alternative to traditional pop arrangements.

What to expect

Upbeat and playful, with the relaxed sophistication of a 1940s jazz club transferred to the concert stage. The melody swings naturally, and the accompanying harmonies have that warm, slightly bluesy character that makes jazz standards so emotionally engaging.

Who it's for

Mixed choirs and show choirs looking for authentic jazz repertoire that sits comfortably in a one-octave range and doesn't require extended vocal technique. This works well for intermediate to advanced high school choirs and college-level ensembles building a jazz or popular music concert.

How to get the most out of it

  • Establish a confident swing feel from the first measure; the rhythm section in the accompaniment drives the groove, so lock in early and let the groove settle before adding lyrical expression.
  • Balance the syncopated rhythms in the vocal parts against the steady pulse of the accompaniment; ask singers to feel the underlying beat rather than fight the syncopation.
  • Articulate the consonants crisply on the fast-moving text passages to keep the energy high and the words intelligible over the jazz accompaniment.
  • Use the recorded accompaniment to establish tempo and feel during sectional rehearsals; this helps singers internalize the swing style before full ensemble work.

How to use it

Program this as a palate-cleansing moment in a longer concert, or pair it with other jazz standards from the Alfred Pop Choral Series to build a dedicated jazz set. It works equally well in a light-hearted first half or as an opener that signals you're not afraid to explore popular idioms alongside classical repertoire.

Skills your students will build

  • Swing rhythm and syncopation in a choral context
  • Stylistic interpretation of jazz phrasing and articulation
  • Reading jazz chord symbols and understanding harmonic movement in popular music
  • Blending with recorded accompaniment while maintaining musical independence
  • Balancing lyrical storytelling with rhythmic precision in fast-moving text

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