Java Jive Sheet Music Preview

Java Jive: SAB Choral Octavo

Words by Milton Drake, music by Ben Oakland / arr. Russell Robinson

Item: 00-PO-0001066

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Minimum order quantity: 20 copies

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Description
"I love coffee, I love tea . . ." Originally made popular by The Ink Spots in 1940 and later by The Manhattan Transfer, this jazz standard still swings today! "I love the java jive, and it loves me."

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0001066

More about this title

About the Composer: Ben Oakland

Ben Oakland (1907-1988) composed for film, theater, and popular music during the golden age of American songwriting. His ability to craft memorable melodies and sophisticated harmonies made him a sought-after composer for Hollywood productions and swing-era standards alike.

Why we love this

Russell L. Robinson's arrangement captures the infectious energy of this 1940 jazz standard while keeping the voicing accessible for developing choirs. The SAB setting lets you program a genuine crowd-pleaser that swings without requiring advanced vocal technique, and the recorded accompaniment gives singers a solid harmonic anchor.

What to expect

Bright and playful, with the infectious swagger of swing-era pop. The melody bounces with good humor, and the three-part texture lets each voice line breathe while maintaining the tight, snappy groove that made the original recording iconic.

Who it's for

Intermediate and developing choirs looking for a fun, approachable jazz standard. Works well for singers who are comfortable with basic part independence but may not have extensive jazz experience.

How to get the most out of it

  • Anchor the rhythmic feel by having the bass line lock with the accompaniment's beat; this grounds the swing without rigidity.
  • Shape the repeated "java jive" hooks with dynamic contrast between verses to maintain energy across the full 8 pages.
  • Balance the soloistic moments in the soprano and alto lines so they sit comfortably above the harmonic foundation without oversinging.

How to use it

Program this as a set closer or warm opening number to lift the energy of a concert. Its accessible charm and audience familiarity make it an ideal bridge between more serious repertoire and lighter fare, especially effective at pops concerts or family-friendly events.

Skills your students will build

  • Singing swing style rhythms with accuracy and feel
  • Maintaining independence in a three-part texture
  • Balancing part lines in jazz harmony
  • Sustaining energy and phrasing in repetitive melodic figures

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