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Instrument of Peace: 2-Part Choral Octavo

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Instrument of Peace Cover Image

Instrument of Peace: 2-Part Choral Octavo

By Greg Gilpin

Item: 00-24106

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Description
There is no better peace song for today. The compassionate sentiment, based on the words of Francis of Assisi, and lyrical music, composed by Greg Gilpin, will inspire generosity of the human spirit in your singers and listeners alike.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Instrument of Peace: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081262130
SKU: 00-24106

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as one of America's leading choral composers and conductors, with performances spanning from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall. An ASCAP award-winning composer, he serves as Director of Educational Choral Publications for Shawnee Press and maintains an active presence in the recording industry as both producer and musician.

Beyond his choral work, Gilpin has expanded into film scoring (earning Best Score for the short film "Rosie's Rescue" in 2021) and professional organizing, bringing his distinctive approach to order and clarity into yet another field. He holds membership in ACDA, NAfME, SAG-AFTRA, and maintains Life Loyal membership in Phi Mu Alpha Sinfonia.

Why we love this

Gilpin's gift for setting spiritual and humanitarian texts comes through immediately here. The lyrical melodic writing sits naturally for singers at the 2-part level while carrying enough harmonic depth to engage both your ensemble and your audience; this is not simplistic music pretending to be profound. The text from Francis of Assisi provides timeless thematic weight that feels urgent and relevant without relying on trendy gestures.

What to expect

The music unfolds with quiet conviction, drawing listeners into reflection rather than demanding attention. Gilpin's harmonic language creates moments of gentle surprise without ever feeling out of reach, and the overall arc invites singers to inhabit both their individual lines and the collective sound they create together.

Who it's for

This octavo suits 2-part choirs of all experience levels, from high school singers first encountering 2-part writing through adult community and church choirs seeking repertoire with substance. Directors programming peace-themed concerts, interfaith services, or festival performances will find a piece that honors the text while remaining accessible.

How to get the most out of it

  • Lean into the warmth of the harmonic language by allowing slight flexibility in tempo during emotional peaks; the accompaniment recording can guide your initial run-throughs, but your singers' ability to shape phrases will elevate the performance.
  • Balance textual clarity with vocal line integrity. The lyrical writing invites singers to connect emotionally with the words, so establish healthy diction habits early without sacrificing the singing quality that makes Gilpin's melodies so affecting.
  • Use the available instrumental parts to expand your sonority if your ensemble size allows. Adding strings or woodwinds can deepen the contemplative character without overshadowing the voices.

How to use it

Program this as an anchor for a peace or social justice-themed concert, or pair it with contrasting secular repertoire to create meaningful thematic programming. Its meditative quality also makes it an excellent choice for opening a concert or following a more energetic piece, giving your audience a moment to breathe and listen closely.

Skills your students will build

  • Singing sustained phrases with consistent breath support across harmonic changes
  • Balancing individual melodic lines within a 2-part texture
  • Interpreting text with emotional authenticity without oversinging
  • Responding to harmonic language that moves beyond diatonic simplicity
  • Ensemble blend when combining voices around shared harmonic centers

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