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In These Delightful Pleasant Groves: SSA, <I>a cappella</I> Choral Octavo

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In These Delightful Pleasant Groves Cover Image

In These Delightful Pleasant Groves: SSA, a cappella Choral Octavo

Music by Henry Purcell / arr. Russell Robinson

Item: 00-18604

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Description
A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full-sounding homophonic sections.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, In These Delightful Pleasant Groves: SSA, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081166179
SKU: 00-18604

More about this title

About the Composer: Henry Purcell

Henry Purcell (1659-1695) stands as England's greatest Baroque composer and a towering figure in Western music history. His output spanned sacred music, theatrical works, instrumental pieces, and secular vocal music, all marked by harmonic sophistication, dramatic expression, and deep connection to the English language. Purcell's madrigals represent some of the finest examples of the genre, blending Italian contrapuntal techniques with English lyrical sensibility.

Why we love this

Robinson's edition cuts through the dense original notation to reveal what makes this madrigal sing: elegant counterpoint that breathes naturally, moments of striking harmonic color, and a text that celebrates the pleasures of nature. The open score layout eliminates the scramble of parts fighting for page space, letting your singers see both their own lines and the musical architecture supporting them. This is Purcell for singers who want to understand what they're singing, not just survive it.

What to expect

Stepping into these groves brings you into a world of elegant compliment and natural beauty expressed through interweaving vocal lines. The music moves between moments of intimate conversation among the voices and passages where all parts sing together in warm, full sonority, creating an effect both intimate and richly textured.

Who it's for

This edition opens the English madrigal tradition to choirs at the intermediate to advanced level who want to sing genuine Baroque repertoire without drowning in textural complexity. It works equally well for directors building a secular choral concert program, preparing for festival competition, or introducing singers to the rewards of ensemble counterpoint.

How to get the most out of it

  • Shape the contrapuntal sections by listening vertically to where harmonies shift rather than focusing only on individual vocal lines; this trains ensemble members to hear beyond their own part.
  • Let the homophonic sections ring with clarity and blend by establishing a unified vowel sound before the passage begins, then holding it steady through any text changes.
  • Approach the text with conversational ease; Purcell's setting follows the natural speech rhythms of English, so avoid forcing artificial phrasing just because it's a madrigal.
  • Mark edition markings lightly in pencil, using them as reference points rather than laws; encourage singers to make artistic choices about articulation and breath placement within the framework Robinson provides.

How to use it

Pair this with other Baroque secular works to build a thematic concert around Purcell's time, or use it as the centerpiece of a madrigal set that shows the evolution from Renaissance to early Baroque style. Its eight pages make it ideal for a detailed rehearsal over several weeks without becoming a semester-long commitment.

Skills your students will build

  • Reading open score layout and tracking multiple voice entries simultaneously
  • Balancing independent melodic lines while maintaining harmonic awareness
  • Singing a cappella with secure intonation in four-part or five-part counterpoint
  • Interpreting Baroque text expression and phrasing in English
  • Blending vowels and consonants across divisi sections

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