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I Recommend: C Flute (Piccolo) Book

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I Recommend: C Flute (Piccolo) Book

By James D. Ployhar

Item: 00-EL02574

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Description
A complete warm-up technique book containing units on lip slurs, chorales, major scales and scale studies, minor scales, chromatic scales, arpeggios, interval studies, articulation and dynamic studies, rhythm studies, and rudiment review. Written by James D. Ployhar, with individual tuning suggestions and warm-up exercises by additional experts on each instrument.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-1973-X
ISBN13: 978-0-7692-1973-8
UPC: 029156042047
SKU: 00-EL02574
Instrumentation: C Flute (Piccolo)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education through more than 800 published works, establishing himself as a cornerstone voice in pedagogical composition. His Contemporary Band Course, now published by Alfred Music, is in use across the United States and has been translated into French and Norwegian, with particular adoption throughout Norway's music programs. Ployhar's orchestration studies included collaboration with Knud Havalde of the Danish Royal Philharmonic Orchestra, grounding his educational materials in professional practice.

Beyond composition, Ployhar brought nineteen years of public school teaching experience to his work as a clinician and conductor at the college and university level. He holds degrees from Valley City State University and Northern Colorado University, with graduate composition study under Morris Hutchings Ruger at California State University-Long Beach. His contributions to the field have been recognized with the National Band Association Citation of Excellence and the Distinguished Alumnus Award, and he has served as a member of the American Bandmasters Association.

Why we love this

This systematic approach to flute fundamentals covers every technical foundation your students need without forcing them to hunt through multiple sources. The breadth of content—from lip slurs through rudiment review—makes it a genuine one-book solution for daily warm-ups, and the inclusion of individual tuning suggestions shows Ployhar's understanding of what actually matters in the practice room.

What to expect

This is music education reduced to essentials: clear exercises designed with flute physiology in mind, chorales that breathe between technical drills, and studies that build naturally from one skill to the next. The work feels purposeful rather than prescriptive, inviting players to own their practice rather than simply execute it.

Who it's for

Flute players in middle school through early high school benefit most from this book's structured progression and clear scope. Directors managing players with varying technical levels will find the unit-based design allows for flexible pacing and targeted remediation without derailing ensemble warm-ups.

How to get the most out of it

  • Work through the lip slur unit before advancing to articulation studies; solid slur control accelerates progress across all technical areas.
  • Use the chorale section to reinforce tone quality and intonation alongside technique—chorales reward focused listening in ways scale patterns alone cannot.
  • Return to interval studies whenever articulation or dynamic challenges arise; interval accuracy is foundational to clarity in both.
  • Incorporate the rhythm studies as a standalone daily drill, separate from the scalar work, to isolate rhythmic precision.

How to use it

Open every rehearsal with one unit per week, rotating through the book over the school year to maintain foundational skills while your ensemble pieces develop. Use the chorale section as a welcome ritual that sets tone quality expectations before moving to repertoire, or assign targeted studies to individuals as pre-rehearsal preparation addressing specific technical gaps.

Skills your students will build

  • Lip slur control and flexibility across the range
  • Major and minor scale facility and patterns
  • Chromatic intonation and finger dexterity
  • Arpeggiated passages and harmonic thinking
  • Interval accuracy and identification
  • Articulation styles (tonguing, legato, staccato) with dynamic control
  • Complex rhythm reading and execution
  • Rudiment recognition and application

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