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I Recommend: Conductor (Piano) Book

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I Recommend: Conductor (Piano) Book

By James D. Ployhar

Item: 00-EL02573

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Description
A complete warm-up technique book containing units on lip slurs, chorales, major scales and scale studies, minor scales, chromatic scales, arpeggios, interval studies, articulation and dynamic studies, rhythm studies, and rudiment review. Written by James D. Ployhar, with individual tuning suggestions and warm-up exercises by additional experts on each instrument.

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Additional Details
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7692-2681-7
ISBN13: 978-0-7692-2681-1
UPC: 029156077643
SKU: 00-EL02573
Instrumentation: Conductor (Piano)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education through prolific composition and arrangement, with more than 800 published works to his name. His Contemporary Band Course, now published by Alfred Music, has become a cornerstone resource used by bands across the United States and internationally, including widespread adoption throughout Norway in both the original English and translated versions. His grounding in orchestration came through study with Knud Havalde of the Danish Royal Philharmonic Orchestra, work that deepened his understanding of how instruments function within ensemble contexts.

Beyond composition, Ployhar brought two decades of public school teaching experience into his clinical and educational work, conducting workshops and master classes at universities and clinics across North America and Europe. His contributions to the field earned him the National Band Association Citation of Excellence and the Distinguished Alumnus Award from Valley City State University. Graduate study in composition at California State University-Long Beach under Morris Hutchings Ruger informed the pedagogical clarity that defines his educational materials.

Why we love this

This conductor's book gives you a comprehensive, sequenced warm-up structure that addresses every technical foundation your band needs without requiring you to assemble materials from multiple sources. Ployhar's decades of teaching experience shine through in the logical progression of exercises and his thoughtful inclusion of instrument-specific tuning notes and tips from recognized experts on each instrument, making preparation efficient and musically intelligent.

What to expect

Opening this book feels like having a trusted colleague's decades of rehearsal wisdom organized and ready. Each unit progresses logically from foundational technique through increasingly sophisticated musical demands, creating a sense of purposeful growth rather than disconnected drills.

Who it's for

This book serves conductors and directors preparing concert bands at any level who need a well-organized, proven framework for daily and weekly warm-ups. It's equally valuable whether you're managing a high school symphony band, a community ensemble, or a university concert band that benefits from systematic technical training.

How to get the most out of it

  • Work through the units in order during the first month of the school year to establish consistent technical language and expectations across your ensemble.
  • Select specific exercises from the rhythm studies and rudiment review sections to address identified weaknesses in your current literature.
  • Distribute the individual tuning suggestions to sectional coaches so they can reference them during sectional rehearsals and reinforce pitch awareness in small groups.
  • Use the articulation and dynamic studies as bridges between technical work and the expressive demands of pieces on your concert program.

How to use it

Anchor your rehearsal calendar around these units, cycling through them at the start of each semester or season to reset technical foundations before diving into concert repertoire. The structured approach also works well as a reference during the year when specific technical problems emerge in literature you're studying.

Skills your students will build

  • Consistent intonation through systematic lip slur and interval study work
  • Rhythmic precision across mixed meters and complex rhythm patterns
  • Articulation clarity from tonguing basics through nuanced phrasing
  • Scale fluency in major, minor, and chromatic contexts
  • Arpeggiation across registers for facility and musicality
  • Ensemble balance and blend through chorale study
  • Individual instrument rudiment proficiency and snare drum technique

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