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High Hopes: SoundTrax Digital Audio Download

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High Hopes Cover Image

High Hopes: SoundTrax Digital Audio Download

Words and music by Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean / arr. Alan Billingsley

Item: 00-A-00014656

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014656

More about this title

About the Composer: Tayla Parx

Tayla Parx is a songwriter and producer who has shaped contemporary pop music across multiple genres and artist collaborations. Her work on "High Hopes" demonstrates her skill in crafting hooks and melodies that resonate with broad audiences while maintaining musical sophistication.

Parx's compositional approach balances accessibility with harmonic interest, making her work appealing for both commercial and educational contexts. Her contributions to the pop songwriting canon have established her as a voice in modern music.

Why we love this

Alan Billingsley's arrangement captures the infectious optimism of "High Hopes" while keeping the choral writing accessible without sacrificing character. Directors will appreciate how the pop sensibility translates to the choral setting, giving singers a song they already know or quickly connect with, and the SoundTrax accompaniment lets singers lock into the groove immediately.

What to expect

Bright, propulsive, and buoyant. "High Hopes" carries the infectious forward momentum of contemporary pop, built on clean rhythmic grooves and a melody designed to lodge in the listener's ear. The choral arrangement preserves that uplifted quality while giving singers satisfying parts to lock into.

Who it's for

Choirs seeking contemporary repertoire that connects with singers across age ranges will find this an excellent fit. The arrangement works equally well for high school, college, and community choirs looking to program pop music with both accessibility and musicality.

How to get the most out of it

  • Nail the rhythmic precision in the rhythmic figures that drive the pop groove. Even slight looseness in articulation will undercut the track's momentum and energy.
  • Balance the vocal arrangement so foreground and background parts remain clear. Pop arrangements often layer voices thickly, so consistent part independence keeps the texture defined.
  • Match the recorded accompaniment's energy level from the first rehearsal. Singers often instinctively pull back in early run-throughs; committing to the groove from day one accelerates buy-in.
  • Lean into the syllabic text setting and straightforward phrasing. This isn't a piece that rewards excessive interpretation; clarity and confidence in the lyrical delivery sell the song.

How to use it

This pairs naturally with a spring or concert finale slot where you want energy and engagement. It also works as a contemporary anchor alongside other pop arrangements, or as a standalone showcase piece that lets audiences hear what your choir sounds like in a modern idiom.

Skills your students will build

  • Rhythmic precision in pop groove figures
  • Layered part independence in dense vocal textures
  • Syllabic text delivery and clarity in fast-paced passages
  • Blend and balance in stacked harmony parts

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