High Hopes: 2-Part Choral Octavo
Words and music by Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean / arr. Alan Billingsley
Item: 00-PO-0006121
Minimum order quantity: 20 copies
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More about this title
About the Composer: Tayla Parx
Tayla Parx is a songwriter and producer who has written and co-written numerous pop hits across multiple genres. Her work spans both original compositions and collaborative songwriting with major recording artists, demonstrating versatility across contemporary music styles.
Parx's songwriting approach emphasizes melodic accessibility and emotional directness, qualities that translate effectively to choral settings. Her contributions to "High Hopes" showcase her ability to craft aspirational, hook-driven material that resonates broadly with student singers.
Why we love this
Billingsley's arrangement captures the infectious energy of the original without oversimplifying it, giving your singers a current pop hit that feels authentic to the recording they know. The optional baritone part means you can program this confidently whether you have three parts or two, and the message of reaching for ambitious goals lands naturally with student singers.
What to expect
Optimistic and propulsive, with the rhythmic snap and harmonic brightness of modern pop production. The arrangement balances the celebratory energy of the original recording with vocal clarity, creating a piece that feels both current and singable.
Who it's for
This octavo works for show choirs seeking contemporary, high-energy material and for concert choirs wanting to connect with students through repertoire they genuinely enjoy singing. The accessible voicing makes it appropriate for intermediate-level ensembles while the pop-rock idiom and motivational text appeal across age groups.
How to get the most out of it
- Keep the rhythmic pulse driving and light; this arrangement thrives on forward momentum rather than sustained, operatic phrasing. Lock the ensemble on eighth-note subdivision to maintain precision.
- Balance the melodic lead against harmonic support so the main hook cuts through clearly. In a mixed group, ensure your higher voices aren't overshadowed by fuller lower-voice parts.
- Shape the bridge section (or any key change moment if one exists) by gradually building dynamic intensity rather than jumping to full volume. This builds toward the final statement of the title phrase.
- Work the recorded accompaniment during early rehearsals to establish the groove and harmonic context, then reduce reliance on it gradually so the choir owns the arrangement musically.
How to use it
Program this as a concert closer or spring pops concert anchor; its aspirational lyrics and upbeat character make it ideal for year-end celebrations or occasions focused on achievement and ambition. Pair it with other contemporary choral arrangements to create a cohesive modern music set.
Skills your students will build
- Rhythmic precision in pop-rock idioms with emphasis on subdivision and groove
- Balancing melodic independence against harmonic texture in contemporary voicings
- Ensemble blend across distinct vocal lines without losing textural clarity
- Interpretation of aspirational text with authentic pop-music phrasing