High Hopes Cover Image

High Hopes: String Orchestra Conductor Score

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High Hopes Cover Image

High Hopes: String Orchestra Conductor Score

As Recorded by Panic! At the Disco

Words and music by Tayla Parx, Brendon Urie, Isley Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean / arr. Doug Adams

Grade: 2

Item: 00-48057S

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Description
Doug Adams' arrangement of Panic! At the Disco's chart-topping pop-rock anthem, "High Hopes," is going to excite your string orchestra and audience. It will be hard to stop them from singing along. Scored perfectly for younger string orchestras, students will fill the hall with a rich sound and strong rhythmic presence. (2:00)

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-5234-X
ISBN13: 978-1-4706-5234-0
UPC: 038081557830
SKU: 00-48057S

More about this title

About the Composer: Tayla Parx

Tayla Parx is a songwriter and producer whose work spans pop, R&B, and musical theater. She co-wrote "High Hopes" with Brendon Urie and a collective of talented collaborators, bringing the song's infectious optimism and rhythmic drive to life. Her approach to songwriting prioritizes hooks that stick with listeners while maintaining musical substance, qualities that translate powerfully to ensemble arrangements.

In music education contexts, Parx's compositions offer students access to contemporary material that feels relevant and energizing. Her work demonstrates how pop songwriting can be both commercially successful and musically sophisticated, a valuable lesson for young musicians learning to appreciate diverse styles.

Why we love this

Doug Adams has captured everything that makes "High Hopes" irresistible while respecting the strengths of a younger string orchestra. The arrangement sits comfortably within Grade 2 reading levels without sacrificing rhythmic vitality or harmonic color. Your students will feel the energy of a chart-topping track while building genuine musicianship, and the two-minute runtime fits neatly into concert programs.

What to expect

Propulsive and uplifting from the first measures, this arrangement radiates the optimistic energy that made "High Hopes" a cultural phenomenon. The combination of flowing string textures and a rock-solid rhythmic foundation creates a sound that feels contemporary without abandoning orchestral warmth. Your students will find themselves carrying the melody home; the song burrows into the ear in the best possible way.

Who it's for

String orchestra directors seeking repertoire that engages students with contemporary music while maintaining strong pedagogical grounding. Grade 2 ensembles with developing technical skills will find this arrangement accessible and immediately gratifying. Students in grades 5-8 particularly respond to material they recognize from radio or streaming, making this a natural bridge between classical study and popular music.

How to get the most out of it

  • Establish the rhythmic pulse early in rehearsals. The driving beat is central to the song's character; use a metronome during sectional work to ensure all voices lock into a unified groove.
  • Balance the melodic line carefully so it sings above the rhythmic accompaniment. String orchestras can easily become too homogeneous; highlight first violins while keeping second violins and violas active but supportive.
  • Shape the dynamic arc across the full two minutes. Avoid static volume levels; let the arrangement's peaks and valleys guide your phrasing so the piece builds naturally toward its conclusion.
  • Tune the fifth and octave doublings with precision. Pop-rock arrangements depend on clear harmonic focus, and young players benefit from hearing what clean intonation sounds like in this contemporary style.

How to use it

Pair this with a light classical piece to show the range of your string orchestra's stylistic versatility in a single concert. It works especially well as a finale or pre-intermission number where audience energy naturally peaks. Consider programming it alongside other Grade 2 contemporary arrangements to create a full "modern strings" set, or use it as a gateway piece to introduce students who are new to the orchestra to repertoire that excites them.

Skills your students will build

  • Rhythmic precision in contemporary pop-rock idioms
  • Reading and executing mixed meter or syncopated figures
  • Balancing melody and accompaniment within a homogeneous ensemble
  • Intonation awareness in thick harmonic textures
  • Performing with stylistic awareness of non-classical music

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