High Hopes Cover Image

High Hopes: Concert Band Conductor Score

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High Hopes Cover Image

High Hopes: Concert Band Conductor Score

As Recorded by Panic! At the Disco

Words and music by Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean / arr. Doug Adams

Grade: 1 (Easy)

Item: 00-48173S

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Description
From their Pray for the Wicked album, this inspirational anthem by Panic! At the Disco was a number-one song on numerous charts. Familiar to students and audiences alike, this solidly scored arrangement for your beginners will be both their favorite and an impressive addition to your concert. The driving beat has energy to spare! (2:00)

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 16
ISBN10: 1-4706-5236-6
ISBN13: 978-1-4706-5236-4
UPC: 038081558820
SKU: 00-48173S

More about this title

About the Composer: Tayla Parx

Tayla Parx is a songwriter and producer who has written and co-written hits across multiple genres, from pop to R&B. Her work spans both original compositions and collaborations with major recording artists, and she brings a sharp understanding of what makes music resonate with contemporary audiences.

Why we love this

Your beginning band gets to perform a song their phones already know, which erases the usual divide between "concert music" and "real music" in their ears. The arrangement respects the Grade 1 skill level while keeping the infectious energy and hook that made this a chart-topper intact. That combination of familiarity plus professional-grade musicality means your audience will lean in the moment the first notes sound.

What to expect

Bright, optimistic, and propulsive. The driving beat and energetic melodic contour capture the original's lift without any loss of authenticity. This feels like a real song, not a simplified adaptation.

Who it's for

Grade 1 concert bands ready to program something that feels current and celebratory. Your students know this song, which means they'll practice it at home and come to rehearsal already invested. Directors looking to close a concert on a high note will find this especially effective.

How to get the most out of it

  • Keep the pulse rock-steady and driving. The energy lives in that forward momentum, not in expressive rubato or ritardandi.
  • Balance the melody against rhythmic accompaniment parts so the tune cuts through clearly without drowning out the band's internal parts.
  • Work the dynamics in sections. Grade 1 bands often default to one volume; this chart rewards even subtle contrast between verses and the more energetic sections.
  • Lock in the rhythm section early. Solid drums and bass parts create the foundation that lets the rest of the band relax into their parts.

How to use it

This works beautifully as a closer for a spring concert or an opener for a pops program. The two-minute length and immediate accessibility also make it ideal for assembly performances or community events where you want maximum impact and minimal rehearsal strain. It pairs well alongside other contemporary selections that appeal to student performers and young audiences.

Skills your students will build

  • Maintaining steady pulse and tempo in a rock/pop context
  • Balancing melody against harmonic and rhythmic accompaniment
  • Reading and executing dynamic contrasts in a straightforward Grade 1 score
  • Performing with stylistic confidence in contemporary music idioms

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