Hallelujah, Get Happy! (A Medley) Cover Image

Hallelujah, Get Happy! (A Medley): SAB Choral Octavo

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Hallelujah, Get Happy! (A Medley) Cover Image

Hallelujah, Get Happy! (A Medley): SAB Choral Octavo

Featuring: Get Happy / Oh, Happy Day

"Get Happy" - words and music by Harold Arlen and Ted Koehler; "Oh, Happy Day" - words and music by Edwin R. Hawkins / arr. Greg Gilpin

Item: 00-27323

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Description
Here's a medley that couldn't be happier. It includes a swinging classic ("Forget your troubles and just get happy...") and a gospel standard ("Oh happy day...when all my sins were washed away..."). Put the two together and it's a recipe for a smile. The lyrics make it appropriate for all age groups, and the songs are ideal for any concert.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hallelujah, Get Happy! (A Medley): SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081295831
SKU: 00-27323

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905-1986) composed some of the most enduring melodies in American music, working primarily in musical theatre and film. His gift for writing instantly memorable songs that sit comfortably in the voice made him a natural fit for choral arrangers seeking material with both emotional depth and accessibility. "Happiness Is a Thing Called You" exemplifies his ability to craft tunes that singers and audiences embrace across generations.

Why we love this

Greg Gilpin's arrangement transforms two songs with distinctly different musical DNA into a cohesive, energetic statement that never feels forced. The SAB voicing gives singers at every level something to sing, and the built-in contrast between the swinging first section and the gospel warmth of the second creates natural dramatic shape without requiring complicated staging or interpretation.

What to expect

The first half swings with the carefree optimism of early American musical theatre; bright, forward, and impossible to resist. The second half shifts into gospel warmth, grounding you in something deeper and more spiritual, where joy becomes a matter of faith and release.

Who it's for

This octavo works beautifully in choirs seeking something uplifting that doesn't demand vocal heroics or extensive rehearsal time. It's equally at home in community choirs, church music programs, and school choirs where singers of varied experience share the stage.

How to get the most out of it

  • Keep the rhythm section locked and light in the first section; the swing feel lives in the groove, not in rushed tempos
  • Let the gospel standard breathe in the second half; resist the urge to carry the swinging energy into music that thrives on soul and simplicity
  • Balance the melody between voice parts, especially where the arrangement distributes thematic material across the choir
  • Use the recorded accompaniment to lock in stylistic details that define each song's character

How to use it

Program this as an emotional high point in a concert, perhaps midway through to shift the mood toward celebration without requiring a full finale. It pairs well alongside other sacred choral music or works across the American songbook, and it serves equally well in spring concerts, holiday programs, or multicultural celebrations.

Skills your students will build

  • Stylistic contrast: executing swing articulation in the first section and legit vocal tone in the gospel section
  • Part independence: managing divided melody lines while maintaining blend across SAB voicing
  • Text expression: shaping different emotional content and lyrical weight between two distinct songs within one piece
  • Rhythmic precision: locking into a groove-based accompaniment without rushing

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