Girion Lord of Dale (from The Hobbit: The Desolation of Smaug): Big Note Piano
Big Note Piano Selections from the Original Motion Picture Soundtrack
By Howard Shore / arr. Carol Matz
Level: Big Note
Item: 00-PS-0015946
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Description
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More about this title
About the Composer: Howard Shore
Howard Shore has shaped the sound of modern cinema through his mastery of orchestral composition and film scoring. His work on Peter Jackson's Middle-earth films established him as one of the most accomplished composers in contemporary film, earning three Academy Awards and multiple Grammy Awards for his contributions to The Lord of the Rings and The Hobbit trilogies.
For music educators, Shore's scores represent a remarkable study in thematic composition and leitmotif development. Each character and location receives its own musical signature, making his work ideal for teaching students how composers use melody and orchestration to build narrative and emotional depth.
Why we love this
These arrangements capture Shore's gift for melody without requiring advanced technical skills. Young pianists encounter genuinely sophisticated thematic material while staying within the Big Note format, which means they're building musicianship through film music that already captivated them in the theater.
What to expect
These arrangements transport you to the mountainous vistas and bustling towns of Middle-earth. Shore's melodies carry both the grandeur of epic adventure and the intimate humanity of characters like Bard, moving from sweeping orchestral gestures to quieter, more reflective moments.
Who it's for
This collection works beautifully for pianists in grades 2-4 who are ready to explore repertoire beyond method books. Students who have seen The Hobbit films will recognize these themes immediately, which builds motivation and makes practice feel purposeful.
How to get the most out of it
- Sustain the longer notes in the thematic sections to let Shore's memorable melodies sing. Big Note editions can feel choppy if each note receives equal weight; reserve your legato for the moments that anchor each theme.
- Pay attention to the text markings for character and mood. Many of these pieces carry titles that reference specific characters or locations. Reading those titles before playing can inform your interpretation of tempo and dynamic contrast.
- Balance the accompaniment patterns so the melody remains prominent. In pieces like 'Bard, A Man of Lake-town,' the left hand provides harmonic support; avoid playing it as loudly as the right-hand melody.
How to use it
Feature one or two pieces in a student recital program to showcase your pianists' growing artistry and their connection to film music. The thematic consistency across these 14 arrangements also makes them ideal for exploring how composers build musical storytelling; a student could perform two character themes back-to-back to highlight Shore's use of distinct melodies.
Skills your students will build
- Playing sustained melodies with consistent legato phrasing
- Recognizing and interpreting character-driven thematic material
- Balancing melody and accompaniment texture
- Reading and responding to performance markings that indicate mood and character
- Developing interpretation through film context and storytelling