Bard A Man of Lake-town (from The Hobbit: The Desolation of Smaug): Big Note Piano
Big Note Piano Selections from the Original Motion Picture Soundtrack
By Howard Shore / arr. Carol Matz
Level: Big Note
Item: 00-PS-0015944
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Description
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More about this title
About the Composer: Howard Shore
Howard Shore has composed music for some of cinema's most ambitious fantasy epics, including the entire Lord of the Rings trilogy and The Hobbit series. His orchestral scores are renowned for their thematic richness and ability to elevate narrative moments with memorable melodies that resonate long after the credits roll.
Shore's work demonstrates how film music can teach composers the value of leitmotif development and large-scale orchestration. His Middle-earth scores have become standard listening for musicians studying how to craft character-driven themes and sustain musical storytelling across extended works.
Why we love this
This collection captures some of Shore's most singable and pianistically idiomatic themes from the film, arranged specifically for emerging pianists who want to play recognizable movie music without the technical demands of advanced arrangements. The 14-piece selection spans the dramatic range of the narrative, giving students a chance to explore both lyrical character themes and more energetic adventure music within a single, cohesive package.
What to expect
Playing from this collection feels like stepping into Middle-earth yourself. Shore's themes carry the sweep and wonder of the film without overwhelming the hands; you feel the heroism in "The Quest for Erebor," the menace lurking beneath "Smaug," and the warmth of community in the Lake-town movements. The music invites you to imagine the scenes as you play.
Who it's for
This book is ideal for early intermediate pianists (ages 8 and up) who are drawn to film music and want to build confidence playing through longer, narrative-driven pieces. It also works well for teachers seeking engaging repertoire that motivates students to practice and attend lessons consistently, since the recognizable melodies create immediate satisfaction.
How to get the most out of it
- Lean into the character themes. "Bard, A Man of Lake-town" and "Girion, Lord of Dale" benefit from clear melodic shaping and unhurried phrasing; let the Big Note texture support storytelling rather than rushing through it.
- Balance the film music impulse to layer themes with the need for clarity in Big Note voicing. When multiple melodic ideas appear, choose which one sings and allow the others to support it.
- Use the colorful film photos as mood references. Flipping through the book before rehearsal helps you internalize the emotional context of each piece, which translates directly to your interpretation at the keyboard.
How to use it
Consider programming pieces from this collection as a thematic block in a winter or spring recital centered on film music, or scatter individual pieces throughout a full recital program to break up classical and traditional selections. The folio format also makes it an excellent gift or incentive project for students completing a full year of lessons.
Skills your students will build
- Reading and executing big note notation with proper hand position and finger independence
- Sustaining lyrical phrases across multiple measures while managing tempo
- Recognizing and developing thematic material across different arrangements of the same character theme
- Balancing melody and accompaniment texture in block chord progressions
- Applying expressive technique (rubato, dynamic contrast) to narrative music