Get Up, Get Down, Get Funky, Get Loose: 3-Part Mixed Choral Octavo

This arrangement captures the pure joy and infectious energy that made the original such a party staple, and Eric Van Cleave's three-part writing sits perfectly in the mixed voice range without sacrificing the funky spirit of the tune. Your singers will love the straightforward, celebratory vibe, and the availability of instrumental parts means you can go full retro with a live band or keep it simple with the recorded track. It's a guaranteed crowd-pleaser that works equally well as a concert finale or a winter show centerpiece.

Infectious and irresistible. This piece pulses with '70s funk grooves and an unmistakable party spirit, full of swagger and warmth. From the opening measures through the final chorus, it radiates good-time energy that's impossible not to smile at.

Any mixed choir wanting an accessible, energetic showstopper that appeals to singers and audiences alike. The three-part writing makes it ideal for community choirs, high school choruses, or any group looking for a morale-boosting selection with real entertainment value.

• Establish the groove first: lock in the rhythm section and let the bass line anchor everything before adding the vocal layers. The pocket matters more than perfect intonation here.
• Lean into the attitude. This song is built on confidence and fun, so encourage singers to commit to the phrasing and not overthink the execution.
• If using the optional instrumental parts, have your rhythm section learn their charts thoroughly before rehearsal so they can support the singers from day one.
• Balance the three parts so the top line remains audible over the fuller lower voices; SAB voicing can easily muddy if the sopranos aren't singing with clarity and presence.

Program this as a concert finale or show-closer where energy and audience engagement matter more than introspection. It pairs well alongside other pop or secular selections in a program that celebrates different musical styles, and works particularly well in settings like community concerts, pops nights, or winter/spring shows where a celebratory tone fits the occasion.

• Singing syncopated rhythms and maintaining steady pulse over syncopation
• Blending three vocal parts in SAB voicing with balanced section strength
• Interpreting style and groove in a pop/soul context
• Singing with confidence and expressive phrasing in an upbeat, energetic arrangement