Get Up, Get Down, Get Funky, Get Loose Sheet Music Preview

Get Up, Get Down, Get Funky, Get Loose: SSA Choral Octavo

Words and music by Kenny Gamble and Leon Huff / arr. Eric Van Cleave

Item: 00-PO-0005882

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Description
Bring back the sound of the '70s with Teddy Pendergrass's popular party anthem. Guaranteed to bring the house down with or without a few disco moves, platform shoes, and costume wigs! Add our groovy SoundTrax CD or your own live band (using the optional SoundPax instrumental parts). Sure to put the "fun" in funky!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005882

More about this title

About the Composer: Kenny Gamble

Kenny Gamble was a pioneering soul and R&B producer and songwriter who shaped the Philadelphia sound of the 1970s. Working alongside Leon Huff, Gamble co-founded Philadelphia International Records and wrote and produced some of the era's most enduring hits, including work with O'Jays, Teddy Pendergrass, and Harold Melvin and the Blue Notes. His production style blended lush orchestrations with tight rhythm sections and memorable melodies that defined an entire decade of popular music.

Gamble's songwriting crafted songs built on infectious grooves and accessible hooks that became standards at celebrations and parties. His influence on contemporary pop and R&B production remains significant, and his catalog continues to resonate in choral and popular music contexts where the sophistication of his arrangements meets genuine crowd-pleasing energy.

Why we love this

This is the kind of octavo that justifies keeping your choral program lighthearted and grounded in real popular music. Eric Van Cleave's arrangement captures the buoyant spirit of the original without oversimplifying the harmonic movement, and the SSA voicing sits well for most ensemble sizes. Your singers will actually want to rehearse this one, and the optional instrumental accompaniment (either recorded or live band parts) transforms it from a novelty into a genuinely sophisticated performance piece.

What to expect

Warm, infectious, and propulsive. The arrangement breathes with the kind of soulful ease that made the original a party staple, complete with funky bass lines and call-and-response moments that invite singers to lean into the rhythmic pocket. This is music designed to make your ensemble and your audience smile.

Who it's for

Any treble or mixed choir looking to program something with genuine popular appeal that doesn't feel compromised musically. This octavo works especially well for groups comfortable with contemporary grooves and not afraid to commit to a performance with personality and style.

How to get the most out of it

  • Establish a clear, laid-back pulse in the rhythm section or recorded track before introducing vocal lines; this groove-based song lives and dies on ensemble lock with the accompaniment.
  • Balance the harmonic layers so the bass line remains audible even in full ensemble moments; many arrangers bury important countermelody in the middle voices, but Van Cleave's scoring rewards careful listening.
  • Let dynamics shape the arrangement's story rather than treating it as a constant party; the contrast between sparse and full textures will keep the performance from sounding one-dimensional.
  • Address diction clarity in syncopated passages; the rhythmic complexity can tempt singers to blur through syllables, so mark stress points in rehearsal and keep articulation crisp.

How to use it

Program this as a high-energy concert closer or as part of a set exploring American popular music and soul. It pairs beautifully with other '70s-inflected pop arrangements or as a standalone statement about broadening your repertoire beyond traditional choral literature. The optional instrumental parts open possibilities for combining singers with live band, making it ideal for end-of-year celebrations or spring concerts where engagement matters as much as artistry.

Skills your students will build

  • Groove awareness and rhythmic precision in syncopated contexts
  • Singing in contemporary popular music idiom with authentic phrasing
  • Balancing harmonic independence within a cohesive ensemble sound
  • Ensemble lock with recorded or live accompaniment
  • Understanding soul and R&B vocal traditions and their application to choral writing

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