Get Up, Get Down, Get Funky, Get Loose Sheet Music Preview

Get Up, Get Down, Get Funky, Get Loose: Choral SoundPax

Words and music by Kenny Gamble and Leon Huff / arr. Eric Van Cleave

Item: 00-PK-0008598

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Description
Bring back the sound of the '70s with Teddy Pendergrass's popular party anthem. Guaranteed to bring the house down with or without a few disco moves, platform shoes, and costume wigs! Add our groovy SoundTrax CD or your own live band (using the optional SoundPax instrumental parts). Sure to put the "fun" in funky!

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Get Up, Get Down, Get Funky, Get Loose

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 48
SKU: 00-PK-0008598
Instrumentation: SoundPax

More about this title

About the Composer: Kenny Gamble

Kenny Gamble is a legendary songwriter and producer who shaped the sound of Philadelphia soul and funk throughout the 1970s. Working alongside Leon Huff and John Whitehead, Gamble crafted some of the era's most infectious grooves and memorable hooks, creating songs that dominated dance floors and radio charts alike.

Why we love this

This arrangement captures everything that made 1970s funk irresistible: propulsive rhythm, tight horn stabs, and a melody that lodges itself in your singers' heads the moment they open their folders. The SoundPax format lets you build it exactly as your ensemble needs it, whether you're adding live instrumentation or relying on the recorded accompaniment.

What to expect

Infectious, celebratory, and unapologetically groovy. The arrangement sits you squarely in the 1970s with its horn lines and rhythmic swagger, creating an irresistible pull toward movement and smiles. It's the kind of piece that makes audiences want to clap along and reminds singers why they joined ensemble in the first place.

Who it's for

Choirs looking to program a crowd-pleasing party anthem that engages audiences immediately and gives singers genuine joy in performance. This works equally well for show choirs, pop choral groups, and traditional choirs willing to step outside classical territory for a concert finale or spring concert highlight.

How to get the most out of it

  • Lock the pulse hard with your rhythm section or click track; the groove lives in absolute precision, and even slight dragging will deflate the energy.
  • Encourage your singers to commit fully to the syncopation in the vocal lines; half-hearted rhythm section playing will read as stiff instead of funky.
  • Layer in the optional instrumental parts gradually during rehearsals so singers hear exactly where their lines sit in the full arrangement before balancing everything together.
  • Keep the energy consistent from the first note to the last; this piece thrives on confidence and momentum, so avoid letting tempo drift or dynamics sag in the final repetitions.

How to use it

Reserve this for your closing number when you need to send the audience out energized and happy. It pairs naturally with other pop and contemporary repertoire in a concert that celebrates accessible, joyful music, or it stands alone as a show choir finale that guarantees standing applause.

Skills your students will build

  • Syncopated rhythmic figures and tight ensemble rhythm
  • Funk and soul interpretation in vocal delivery
  • Balancing vocal lines over rhythmic accompaniment
  • Ensemble cohesion at energetic tempos

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