Get Up, Get Down, Get Funky, Get Loose: 2-Part Choral Octavo
Words and music by Kenny Gamble and Leon Huff / arr. Eric Van Cleave
Item: 00-PO-0005883
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Kenny Gamble
Kenny Gamble co-founded Philadelphia International Records in the early 1970s, establishing himself as one of the most influential songwriters and producers of the soul and R&B era. Working in close partnership with Leon Huff, Gamble crafted the signature "Philadelphia Sound," a lush blend of orchestral arrangements, tight rhythmic grooves, and emotionally resonant melodies that defined an era. His compositions became standards of the decade, recorded by artists from Teddy Pendergrass to The O'Jays, and continue to resonate across generations of listeners and musicians.
For music educators, Gamble's catalog offers an invaluable teaching tool. His songs balance sophisticated harmonic movement with infectious, singable melodies, making them ideal for developing musicianship in singers of all levels. The grooves and arrangements teach students about rhythm, vocal blend, and the power of a unified ensemble sound.
Why we love this
This arrangement captures the pure joy and swagger of a classic party track without requiring elaborate staging or apologies for having fun in rehearsal. The 2-part voicing keeps the piece accessible while the groove and syncopation keep singers engaged and challenged, making it equally valuable as a morale booster late in the school year and as a legitimate vehicle for rhythmic precision.
What to expect
Sunshine, movement, and infectious swagger. The groove propels singers forward with an almost irresistible momentum, while the melody sits naturally in most voices, allowing performers to focus on locking into the rhythm and riding the pocket. It's the sound of a room full of people who've decided, together, that this moment is about celebration.
Who it's for
This octavo works for any choir looking to expand beyond traditional repertoire without sacrificing musical substance. Middle and high school choirs will find it immediately rewarding, and the accessible voicing makes it suitable for mixed-ability ensembles or those new to popular music arranging.
How to get the most out of it
- Lock in the backbeat with your lower voices while the upper voices float the melody, creating the pocket that makes the song feel effortless rather than mechanical.
- Emphasize the syncopated rhythms in the lyrics; they're not obstacles to navigate but the soul of the arrangement, so rehearse these passages with confidence and clarity.
- If using the recorded accompaniment, start rehearsals with the track at a slower tempo, allowing singers to find their parts and feel the groove before bringing it to performance speed.
- Balance vocal energy with diction on the rapid syllables, especially in the title phrase; crisp articulation at a funky tempo is what separates a sloppy performance from a polished one.
How to use it
Use this as an opener or high-energy closer for a concert when you want to remind audiences (and yourselves) why you make music together. It pairs well in a program segment alongside other pop or R&B standards, or as a standalone feature that showcases your choir's versatility and contemporary relevance.
Skills your students will build
- Singing syncopated rhythms with precision and confidence
- Locking into a groove and maintaining rhythmic pocket
- Balancing melody with harmonic support in a 2-part texture
- Articulation and diction at faster tempos
- Blending voices while maintaining individual clarity in a rhythmic context