Get On Your Feet Cover Image

Get On Your Feet: Choral Octavo SoundTrax CD

$27.99 USD
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Get On Your Feet Cover Image

Get On Your Feet: Choral Octavo SoundTrax CD

Words and music by John DeFaria, Clay Ostwald, and Jorge Casas / arr. Kirby Shaw

Item: 00-38262

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Description
Don't miss this kickin' new arrangements of one of Gloria Estefan's biggest hits. It's a fabulous show opener or closer, sure to get your audience on their feet!

Get On Your Feet: Choral Octavo SoundTrax CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081427331
SKU: 00-38262

More about this title

About the Composer: John DeFaria

John DeFaria co-wrote "Get On Your Feet" with collaborators Clay Ostwald and Jorge Casas during the late 1980s, capturing the infectious energy that made Gloria Estefan a defining voice in pop and Latin music. His work on this track helped establish a sound that blended mainstream accessibility with genuine rhythmic sophistication, making it a natural choice for choral adaptation.

DeFaria's songwriting prioritizes melodic clarity and rhythmic drive, qualities that translate exceptionally well to ensemble singing. His contributions to Latin-influenced pop have earned lasting recognition in music education circles, particularly as arrangers like Kirby Shaw have reimagined his work for vocal ensembles.

Why we love this

Kirby Shaw's arrangement captures everything that makes this song a concert staple: the propulsive rhythm, the singable melody, and the genuine joy built into every phrase. The Latin groove sits comfortably in a mixed choir context without requiring percussion expertise, and the energy is absolutely contagious. Your audience will recognize it immediately, which means your singers can focus on precision and fun rather than winning over skepticism.

What to expect

Electric and propulsive, with a groove that pulls listeners forward from the first measure. The Latin percussion and bass foundation create momentum while the vocal lines soar above with joy and confidence, capturing the irresistible invitation of the title itself.

Who it's for

Mixed choirs looking for a high-energy contemporary opener or finale that lands with immediate audience recognition and requires no specialized instrumentation beyond the SoundTrax accompaniment. This works equally well for high school show choirs, community ensembles, and concert choirs that program Latin-influenced popular music alongside traditional repertoire.

How to get the most out of it

  • Anchor the rhythm section early in rehearsal. Lock the bass line and tenor parts into the clave rhythm before layering the rest of the voicing; this foundation makes everything else click.
  • Shape the melody with clear phrasing rather than pushing tempo. The arrangement's momentum comes from groove and articulation, not from racing ahead.
  • Use the recorded accompaniment to build confidence in the lower voices, which carry essential rhythmic information that the sopranos and altos depend on.
  • Layer in dynamics gradually during the final rehearsals. Let the arrangement breathe at moderate volume first, then add punch only where Kirby Shaw's voicing explicitly builds.

How to use it

Position this as a concert opener to energize the room immediately, or save it for the finale when your choir can leave the audience wanting more. The arrangement's upbeat character and instant recognizability make it ideal for family concerts, pops programs, and occasions where you want to demonstrate that your choir engages with contemporary music that matters.

Skills your students will build

  • Singing over a clave rhythm in a Latin pop idiom
  • Maintaining rhythmic precision in a groove-based arrangement
  • Balancing Latin-influenced vowel production with English text clarity
  • Responding to recorded accompaniment with ensemble cohesion

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