Get On Your Feet Sheet Music Preview

Get On Your Feet: SAB Choral Octavo

Words and music by John DeFaria, Clay Ostwald, and Jorge Casas / arr. Kirby Shaw

Item: 00-PO-0001476

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Description
Don't miss this kickin' new arrangements of one of Gloria Estefan's biggest hits. It's a fabulous show opener or closer, sure to get your audience on their feet!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001476

More about this title

About the Composer: John DeFaria

John DeFaria co-wrote "Get On Your Feet" with Clay Ostwald and Jorge Casas, creating one of Gloria Estefan's signature songs that became a defining moment in pop and Latin music crossover success. The track's infectious energy and celebratory message have made it a staple in popular culture and education settings for decades.

Kirby Shaw, who arranged this SAB version, is a prolific arranger known for crafting accessible pop arrangements that maintain the character and groove of original recordings while accommodating mixed-voice choirs at various levels. His work across the Alfred Pop Choral Series demonstrates deep understanding of how to preserve a song's essential appeal while making it singable for student ensembles.

Why we love this

Kirby Shaw's arrangement captures the propulsive Latin rhythm and earthy humor of the original without oversimplifying it for younger singers. The SAB voicing sits naturally for mixed choirs while the recorded accompaniment locks your ensemble into the groove immediately. This is the kind of show-starter that actually delivers on its promise to energize a room.

What to expect

A burst of sunshine and movement. The arrangement radiates the unforced confidence of the original, with a groove that makes singers want to move even while standing still. Rhythmic precision meets pure joy, creating a performance that feels celebratory rather than competitive.

Who it's for

Choirs seeking reliable show programming that appeals to audiences of all ages and connects immediately with listeners. Works equally well for beginning SAB ensembles that need rhythmic clarity and experienced groups wanting guaranteed audience engagement.

How to get the most out of it

  • Lean into the swing feel of the rhythm section rather than treating eighth notes mechanically. The recorded accompaniment sets the pocket clearly; let your singers settle in and breathe with it.
  • Emphasize the Latin percussion texture in your rehearsals. Even if instrumental parts aren't available for your performance, referencing that clave pattern vocally helps singers understand the rhythmic foundation.
  • Balance projection with ease through the higher passages. This is about celebratory energy, not strained belting. Let the accompaniment carry volume and focus your singers on clear articulation and joy.
  • Shape the dynamics through sections rather than holding a constant level. The arrangement builds momentum naturally when you let verses sit lighter and let the chorus peak.

How to use it

Open your spring or year-end concert with this and watch the audience settle into smiles within the first phrase. The piece works equally well as a closer if you want to send people out energized. It also pairs naturally with other contemporary pop arrangements if you're building a themed set around accessible, high-energy material.

Skills your students will build

  • Singing with a clear Latin rhythm feel and swing articulation
  • Balancing rhythmic precision with natural phrasing in pop idioms
  • Ensemble listening and locking into recorded accompaniment
  • Generating sustained energy while maintaining vocal ease over extended phrases

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