Get On Your Feet Sheet Music Preview

Get On Your Feet: Choral SoundPax

Words and music by John DeFaria, Clay Ostwald, and Jorge Casas / arr. Kirby Shaw

Item: 00-PK-0005139

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Description
Don't miss this kickin' new arrangements of one of Gloria Estefan's biggest hits. It's a fabulous show opener or closer, sure to get your audience on their feet!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Get On Your Feet: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
SKU: 00-PK-0005139
Instrumentation: SoundPax

More about this title

About the Composer: John DeFaria

John DeFaria is a composer and keyboardist best known for his work with Miami Sound Machine, where he helped shape the infectious Latin-pop sound that defined the band's global success. His compositional sensibility blends accessible melodies with rhythmic sophistication, making his work natural fodder for choral arrangements that engage both singers and audiences.

Why we love this

Kirby Shaw's arrangement captures the infectious energy of the original while remaining singable for mixed choirs of varying experience levels. The Latin rhythmic foundation stays prominent without overwhelming the singers, and the piece genuinely works as a high-energy opener or closer that leaves audiences energized rather than exhausted.

What to expect

Energetic, celebratory, and impossible to sit still through. The piece pulses with the warmth of Miami Sound Machine's signature Latin-pop groove while maintaining enough singerly phrases to feel fulfilling for the choir performing it.

Who it's for

Directors leading mixed choirs who want a show-stopping moment with genuine crossover appeal. The arrangement works for high school through adult choirs and sits comfortably for singers who have Latin music experience or are encountering it for the first time.

How to get the most out of it

  • Keep the rhythm section locked: the groove depends on precision from your accompaniment, so rehearse the recorded accompaniment multiple times before adding singers to establish the pocket.
  • Layer the Latin percussion sounds into your voice parts gradually. Singers often carry the clave rhythm without realizing it, so isolate those patterns in early rehearsals.
  • Balance the call-and-response sections carefully. These moments often generate energy but can muddy if everyone sings at full volume; use dynamic contrast to keep lines clear.
  • Nail the articulation on short syllables in the faster passages. The piece's infectious quality depends partly on crisp, rhythmic text delivery.

How to use it

Open your spring concert with this and watch the audience's posture shift. The piece commands attention from the first measures and leaves room for applause and a natural transition into your next selection. It also works brilliantly as a set closer if your program needs a joyful, high-energy final statement.

Skills your students will build

  • Singing syncopated rhythms within a Latin groove framework
  • Maintaining ensemble cohesion during call-and-response sections
  • Coordinating with recorded accompaniment and Latin percussion elements
  • Stylistic interpretation of secular popular music

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