Found/Tonight: 2-Part/SSA Choral Octavo
Words and music by Lin-Manuel Miranda, Justin Paul, and Benj Pasek / arr. Jacob Narverud
Item: 00-PO-0007575
Minimum order quantity: 20 copies
One moment…
Related Items
Found/Tonight: SATB Choral Octavo |
$2.75
|
View | |
Found/Tonight: SAB Choral Octavo |
$2.25
|
View | |
Found/Tonight: TTB Choral Octavo |
$2.25
|
View | |
Found/Tonight: SoundTrax Digital Audio Download |
$29.99
|
View | |
Found/Tonight: Choral SoundPax |
$30.00
|
View | |
Found/Tonight: SATB Choral Octavo |
$2.75
|
View | |
Found/Tonight: SAB Choral Octavo |
$2.75
|
View | |
Found/Tonight: TTB Choral Octavo |
$2.25
|
View | |
Found/Tonight: 2-Part/SSA Choral Octavo |
$2.50
|
View | |
Found/Tonight: Choral SoundTrax CD |
$29.99
|
View | |
Found/Tonight: Choral SoundPax |
$30.00
|
View |
Description
Found/Tonight: 2-Part/SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Lin-Manuel Miranda
Lin-Manuel Miranda is a composer and lyricist whose work has fundamentally shaped contemporary musical theater. His ability to weave hip-hop, R&B, and traditional Broadway styles into narratives about American identity and personal struggle has made him one of the most influential composers of his generation. His compositions for Hamilton and In the Heights earned him Grammy, Tony, and Pulitzer Prize recognition, while his work on the Dear Evan Hansen score (with Pasek and Paul) demonstrates his range across different emotional and stylistic territories.
Beyond the stage, Miranda's music has become a staple in choral and educational settings, offering young singers access to contemporary composition that speaks to their own experiences and cultural moment. His melodies are memorable without being simplistic, and his lyrics carry weight without losing accessibility, making his work ideal for choral programs seeking repertoire that engages both performers and audiences.
Why we love this
This arrangement captures lightning in a bottle: two songs from different shows that somehow feel designed to exist together. Jacob Narverud's writing respects the emotional integrity of both pieces while creating seamless transitions that make musical sense, not just novelty appeal. Your singers will be excited to perform music they actually want to sing, and your audience will recognize the cultural significance immediately.
What to expect
Hope and vulnerability intermingle throughout this arrangement. The opening carries the quiet intensity of personal struggle and isolation, then gradually expands into affirmation and connection. There's an inherent theatrical quality to the piece that invites singers to inhabit the emotional journey rather than simply execute the notes.
Who it's for
Singers in middle school, high school, and community choirs who are ready for contemporary repertoire with real emotional depth. This works for programs seeking to bridge popular music and concert performance, and for any group with singers who've connected with Dear Evan Hansen or Hamilton either on stage or through recordings.
How to get the most out of it
- Lean into the lyrical quality of 'You Will Be Found.' This section benefits from sustained, warm tone production and clear diction that allows the hopeful message to land with your audience.
- Use the recorded accompaniment strategically during rehearsals to anchor rhythmic precision in the sections with syncopated passages, then gradually reduce reliance on it as confidence builds.
- Balance the shift in energy and style between the two songs. The transition needs clarity so audiences understand you're moving into 'The Story of Tonight' rather than hearing it as a jarring shift.
- Pay attention to ensemble blend in moments where parts diverge. This arrangement gives individual voices moments to shine, so coach singers to support each other's lines rather than competing for prominence.
How to use it
Program this as a centerpiece for a concert exploring contemporary musical theater, or use it to open a program with immediate audience engagement. It pairs well with other Pasek and Paul repertoire, or with arranged Broadway selections that share similar emotional themes. The mash-up structure makes it memorable enough to serve as an encore or closing number.
Skills your students will build
- Singing lyrical, sustained phrases without sacrificing clarity of diction
- Navigating contemporary harmonic language and unexpected chord progressions
- Sustaining emotional performance in extended musical narratives
- Blending SSA voicing while maintaining distinct part integrity
- Responding to recorded accompaniment with rhythmic precision and musical sensitivity