Found/Tonight: SAB Choral Octavo
from Dear Evan Hansen and Hamilton
Words and music by Lin-Manuel Miranda, Justin Paul, and Benj Pasek / arr. Jacob Narverud
Item: 00-PO-0006428
Minimum order quantity: 20 copies
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More about this title
About the Composer: Lin-Manuel Manuel Miranda
Lin-Manuel Miranda has fundamentally reshaped contemporary musical theater by fusing hip-hop, R&B, and traditional Broadway composition into narratives that speak directly to modern audiences. His work on Hamilton (2015) and Dear Evan Hansen (in collaboration with Benj Pasek and Justin Paul) established him as a composer unafraid to experiment with form, language, and social relevance while maintaining emotional depth and accessibility.
Miranda's compositions demand vocal and rhythmic precision from singers while remaining emotionally transparent. His gift for melody combined with complex harmonic language makes his work particularly valuable in choral settings, where contemporary song material can challenge singers to expand their technical and interpretive range.
Why we love this
This arrangement captures the raw vulnerability of two songs that audiences know and love, creating an emotional arc that resonates instantly with singers and listeners. The mash-up format gives your SAB choir the chance to perform music that matters culturally right now, with contemporary production values and a message that genuinely moves people. It's the kind of piece that reminds singers why they chose choral music in the first place.
What to expect
The arrangement opens with quiet vulnerability and isolation, then gradually gathers momentum and warmth as the two songs intertwine. There's a profound sense of belonging that emerges, as individual voices find their place within a larger community. The overall effect is uplifting without being saccharine—authentic and human.
Who it's for
Directors seeking contemporary choral material that connects with students and audiences alike will find this mash-up essential. It works for high school and adult choirs at intermediate-to-advanced levels who are comfortable with contemporary pop-influenced harmonic language and rhythmic complexity. Singers who grew up watching these shows will be immediately invested in learning and performing the piece.
How to get the most out of it
- Drill the rhythmic precision in both songs separately before combining them; Miranda's musical language sits on the boundary between speech and song, so clean articulation and rhythmic clarity will make the text land emotionally.
- Use the recorded accompaniment to establish the harmonic and rhythmic framework early in rehearsal, then gradually reduce your reliance on it so the choir develops independence and confidence.
- Build the emotional arc deliberately across both songs. 'You Will Be Found' builds hope; 'The Story of Tonight' celebrates connection. Shape your dynamics and phrasing to honor both messages.
- Attend to the balance between soprano, alto, and bass lines. SAB voicing requires sopranos to sit above the ensemble without oversinging; use sectional rehearsals to ensure each voice part feels secure in its own material.
How to use it
This works beautifully as a concert closer or bridge piece between a more classical first half and a contemporary second half. It also serves as a powerful standalone moment in a concert built around contemporary Broadway music or songs about connection and hope. Consider programming it during late winter or spring concerts when students and audiences are most receptive to messages of encouragement.
Skills your students will build
- Blending two distinct melodic ideas simultaneously while maintaining textual clarity
- Precision in syncopated rhythms and contemporary harmonic language
- Dynamic shaping across a longer emotional arc (building from intimacy to community)
- Balancing independence within SAB voice parts (ensuring sopranos don't oversing while altos and basses maintain security)
- Interpreting text with contemporary sensibility (speech-like qualities within sung phrases)