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Flanders Fields: SSAATTBB Choral Octavo

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Flanders Fields Cover Image

Flanders Fields: SSAATTBB Choral Octavo

Words by John McCrae, music by Paul A. Aitken

Item: 00-OCT9918

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Description
This distinguished setting of the John McCrae text was originally published for mixed choirs soon after being named the first winner of the ACDA Brock Memorial composition contest. Aitken's more recent voicings for women's and men's choirs are just as inspiring as the original.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Flanders Fields: SSAATTBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 16
UPC: 029156995756
SKU: 00-OCT9918

More about this title

About the Composer: Paul A. Aitken

Paul A. Aitken

Paul A. Aitken grew up in Canada and has established himself as a composer, conductor, and advocate for choral music across North America. He currently serves as Director of Music & Worship Arts and Composer-in-Residence at the Cathedral of the Rockies in Boise, Idaho, where he leads more than twenty ensembles and oversees a professional music staff across two locations. His compositional achievements include winning the inaugural ACDA Brock Student Composition Competition for "Flanders Fields" and receiving commissions from the American Guild of Organists, the State of Idaho, and the Boise Philharmonic Master Chorale.

Aitken has conducted major works at Carnegie Hall and maintains an active presence in music education and administration at the state, divisional, and national levels of ACDA, including a term as National Chair of Music in Worship. His catalog now spans more than forty compositions across two decades. He earned degrees from the University of Western Ontario, Southern Illinois University at Carbondale, and the University of Oklahoma.

Why we love this

This setting earned its distinction immediately, becoming the first-ever winner of the ACDA Brock Student Composition Competition, and it has only deepened in resonance and usefulness over time. Aitken's approach to McCrae's profound text respects both its historical weight and its emotional immediacy, making it genuinely moving to sing without relying on sentimentality. The SSAATTBB voicing opens the piece to more choirs than the original mixed voicing alone, giving directors real flexibility in how they deploy this powerful work.

What to expect

Solemn and direct, with moments of quiet intensity. The harmonic language is accessible without being simple, letting the weight of the McCrae text speak clearly while the music surrounds it with dignity and restraint. There is nothing artificial here; the piece honors both the poem and the listener.

Who it's for

Women's and men's choirs seeking repertoire with both artistic substance and programmatic relevance, as well as mixed choirs performing community and ceremonial music. This work suits advanced high school and college ensembles, community choirs, and professional choral groups willing to invest in the precision an eight-part a cappella piece demands.

How to get the most out of it

  • Let the text shape your phrasing rather than fighting against the natural speech patterns of McCrae's words. The poetry carries its own weight.
  • The a cappella format demands precise intonation from the lower voices; build these parts confidently in sectional rehearsals before combining full ensemble.
  • Balance the eight parts by thinking in terms of choir sections rather than individual voice lines. If sopranos and altos feel equally present, the texture will sit properly.
  • Allow silence and rests to land fully. The emotional power of this piece lives in what you don't fill in as much as what you do.

How to use it

This work belongs on programs honoring service, loss, and remembrance. It serves equally well as a memorial program centerpiece, a concert piece that anchors a set of patriotic or secular repertoire, or a meaningful selection for ceremonies and special observances. The emotional depth and historical significance make it memorable without overshadowing other works programmed alongside it.

Skills your students will build

  • Intonation control in an eight-part a cappella texture
  • Balance and blend across multiple voice parts
  • Expressive interpretation of literary text within harmonic frameworks
  • Voice part independence and confidence in non-SATB voicings

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