Equality: TTBB Choral Octavo
From Like Dust I Rise (A Choral Song Cycle)
Text by Maya Angelou, music by Mark Hayes
Item: 00-PO-0005658
Minimum order quantity: 20 copies
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About the Composer: Mark Hayes

Mark Hayes has established himself as one of the most prolific composers in choral and sacred music, with over 1,750 published works across multiple genres and instrumental combinations. A summa cum laude graduate in piano performance from Baylor University, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, while conducting world premieres of major works including his Requiem at Lincoln Center in 2013 and later at St. Ignatius Basilica in Rome as part of the Vatican-sponsored Festival Pro Musica E Arte Sacra.
Beyond the choral realm, Hayes has shown equal mastery as a pianist, orchestrator, and musical theater composer, with over 100 piano books in print spanning gospel, classical, jazz, and Broadway styles. His contributions to concert music and theatrical works have earned him recognition including the 2010 Award for Exemplary Leadership in Christian Music from Baylor University's Center for Christian Music Studies. Whether composing at his home in Kansas City or conducting internationally, Hayes continues to focus on creating music that serves both worship and secular contexts.
Why we love this
Hayes crafts this text with musical urgency that matches the weight of Angelou's words without sentimentality. The flexible voicing (TB through TTBB) means you can perform it with your exact ensemble, and the option to connect it to the closing movement of Like Dust I Rise creates a powerful thematic arc across both pieces. The confident solo voice anchors the message while the full ensemble builds behind it, giving directors a built-in structural dynamic that feels both contemporary and deeply intentional.
What to expect
The piece pulses with unshakeable determination. Gospel-rooted harmonies and rhythmic drive propel Angelou's words forward with conviction, while moments of unison strength give way to layered textures that feel like voices joining in solidarity. The overall arc moves from declaration toward triumph, with the final modulation pushing toward a spirited, undeniable conclusion.
Who it's for
Male and lower-voiced choirs (TB through TTBB configurations) seeking a contemporary piece with real textual and musical substance. This works equally well for church choirs exploring secular repertoire, collegiate honors choirs, and community ensembles looking to engage with social justice themes through music.
How to get the most out of it
- Anchor the solo voice with clarity and conviction. This is a solo of testimony, not display, so prioritize directness and emotional authenticity over technical flourish.
- If programming as a standalone piece, lean into the upward modulation heading into the final refrain. The key change should feel like a natural intensification, not a sudden jolt. Adjust your ensemble's approach subtly as you climb.
- Balance the gospel idiom with the dignity of Angelou's text. The piece asks you to hold both contemporary style and literary gravity at once; let the words guide your articulation and phrasing choices.
- Consider the acoustic properties of your space when shaping the unison or near-unison moments. Gospel style often thrives on precision and groove, so rhythmic lock matters as much as blend.
How to use it
Program this as a centerpiece statement, perhaps paired with other works exploring human dignity and rights. If you own Like Dust I Rise, use the segue option to create a two-piece meditation that deepens its thematic resonance. Alternatively, perform it standalone when you want a single, powerful piece that carries both musical craft and social message.
Skills your students will build
- Balancing gospel idiom with literary text interpretation
- Singing with ensemble precision in syncopated rhythmic contexts
- Navigating modulation and maintaining intonation during key changes
- Solo performance technique for confident, direct delivery
- Managing flexible voicing configurations without losing ensemble blend