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Equality: Choral SoundPax

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Equality Cover Image

Equality: Choral SoundPax

From Like Dust I Rise (A Choral Song Cycle)

Text by Maya Angelou, music by Mark Hayes

Item: 00-DIGPX00053

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Description
This contemporary gospel-style rouser denounces oppression and serves as a choral anthem for equal rights. A confident solo voice helps deliver a determined message in the unwavering words of Maya Angelou. If performing as a set, an alternate ending segues directly into the closing movement of "Like Dust I Rise." When performing separately, Mark Hayes includes an upward modulation that propels us to the final, most spirited refrain.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Equality: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 52
UPC: 038081532134
SKU: 00-DIGPX00053
Instrumentation: SoundPax

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes has composed, arranged, and conducted over 1,750 published works spanning sacred and secular genres. A summa cum laude graduate in Piano Performance from Baylor University (1975), he has conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and premiered his Requiem at both Lincoln Center (2013) and St. Ignatius Basilica in Rome (2014) as part of the Vatican-sponsored Festival Pro Musica E Arte Sacra. His versatility extends across orchestration, record production, and musical theater; he orchestrated the musical Madame Buttermilk and arranged music for theatrical productions including We'll Meet Again. In 2010, Baylor University's Center for Christian Music Studies recognized him with the Award for Exemplary Leadership in Christian Music.

Piano composition remains Hayes' deepest passion, with over 100 piano publications in print across classical, gospel, jazz, and Broadway styles. Based in Kansas City, Missouri, he continues to balance international concert work with his mission to create accessible, beautiful music for diverse audiences and skill levels.

Why we love this

Hayes writes with the directness of a natural speaker and the structural command of a conservatory-trained musician. The contemporary gospel language and driving rhythm make this piece energizing to rehearse and perform, while Angelou's words carry unmistakable weight without requiring extensive textual interpretation work. The thoughtful solo voice provides a focal point that can anchor an ensemble, and the optional connection to "Like Dust I Rise" opens programming possibilities beyond a standalone performance.

What to expect

Energetic and purposeful, this arrangement pulses with contemporary gospel vocabulary while maintaining formal clarity. The confident solo voice anchors a determined message, supported by the choir's unified sound; the overall effect is rousing without sentimentality, direct without aggression.

Who it's for

This piece fits choirs with intermediate to advanced vocal control who are ready to engage with social and political text. It works equally well in church, school, and concert hall settings where the ensemble can deliver both technical precision and emotional authenticity to a message about justice and equality.

How to get the most out of it

  • Build the solo entrance with clear support from the choir: the soloist should feel grounded by the harmonic foundation, not spotlit in isolation. Balance the solo voice so it projects conviction without overpowering the ensemble texture.
  • Lock the rhythmic drive from the opening. Gospel grooves live and die on precision; work the rhythm section or accompaniment parts to sit evenly on the beat, especially during syncopated passages.
  • Shape the text like speech. Angelou's language demands purposeful phrasing and articulation; avoid letting the melody smooth over the power of individual words and phrases.
  • Manage the modulation carefully if performing with the alternate ending. The upward key change should feel like a natural lift, not a jarring shift. Prepare singers' vowels so the new key sits comfortably for the final refrain.

How to use it

Program this as a concert closer or signature piece for a social justice-themed concert. If you are pairing it with "Like Dust I Rise," the alternate ending creates a seamless transition that deepens the programming's thematic arc. It also stands alone powerfully as a statement piece mid-program, where its energy and message can shift the emotional temperature of a concert.

Skills your students will build

  • Singing contemporary gospel-inflected harmony with stylistic accuracy
  • Balancing solo and ensemble voices within a rhythmically driven texture
  • Managing text delivery with clarity and intention in an energized tempo
  • Executing a modulation and adjusting pitch comfort in a new key
  • Interpreting and performing music with social and political weight

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