Equality Sheet Music Preview

Equality: SSAA Choral Octavo

From Like Dust I Rise (A Choral Song Cycle)

Text by Maya Angelou, music by Mark Hayes

Item: 00-PO-0005657

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$2.15

Minimum order quantity: 20 copies

Description
This contemporary gospel-style rouser denounces oppression and serves as a choral anthem for equal rights. A confident solo voice helps deliver a determined message in the unwavering words of Maya Angelou. If performing as a set, an alternate ending segues directly into the closing movement of Like Dust I Rise. When performing separately, Mark Hayes includes an upward modulation that propels us to the final, most spirited refrain.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
SKU: 00-PO-0005657

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes has established himself as a prolific composer and arranger with more than 1,750 published works across multiple genres and ensembles. A summa cum laude graduate in Piano Performance from Baylor University, he has conducted prestigious venues including Lincoln Center, the National Cathedral, and Carnegie Hall, and in 2010 received the Award for Exemplary Leadership in Christian Music from Baylor University Center for Christian Music Studies.

Beyond his conducting and composing work, Hayes is an accomplished orchestrator and record producer whose range spans sacred and secular music, musical theater, and orchestral writing. He has conducted world premieres of major works including his Requiem at Lincoln Center in 2013 and at St. Ignatius Basilica in Rome in 2014, and has been commissioned for significant choral projects internationally. His catalog reflects a deep commitment to creating accessible, meaningful music across styles from gospel and jazz to classical and Broadway.

Why we love this

Hayes brings the emotional urgency of contemporary gospel into a concert choral setting without sacrificing harmonic sophistication or textual clarity. The strategic use of solo voice creates a powerful focal point for Maya Angelou's words while the built-in modulation for standalone performance ensures the piece lands with conviction rather than fading into sentiment. This is repertoire with backbone.

What to expect

Propulsive and purposeful, with the rhythmic drive of gospel music elevated by Hayes's refined harmonic language. The piece builds from determined declaration into spirited affirmation, moving audiences through conviction rather than nostalgia.

Who it's for

SSAA choirs seeking contemporary repertoire with serious textual and social purpose. This works equally well for advanced high school choirs and college/community ensembles that want to engage with meaningful material beyond traditional sacred or secular divisions.

How to get the most out of it

  • Establish the solo voice as a leader from rehearsal one; this person carries the message and needs secure musicianship and confident diction.
  • Anchor the harmonic movement through the modulation by ensuring the bass line stays grounded and the chord changes feel inevitable rather than abrupt.
  • Shape the final refrain with dynamic confidence, letting the upward modulation serve as the emotional architecture that lifts the piece rather than simply transposing it higher.
  • Balance the gospel idiom with concert hall clarity; groove should sit inside precise rhythmic ensemble, not float above it.

How to use it

Program this as a powerful standalone statement about justice and human dignity, or integrate it into a thematic concert exploring civil rights, equality, and social responsibility. The optional connection to the closing movement of Like Dust I Rise allows for a multi-movement choral statement if both pieces are in your season.

Skills your students will build

  • Singing in contemporary gospel style while maintaining concert choir precision
  • Navigating modulation and tonal shifts within a single piece
  • Balancing solo and ensemble roles to support a unified message
  • Performing rhythmically driven music with harmonic complexity
  • Interpreting and communicating poetry with musical purpose

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