Dream a Little Dream of Me Cover Image

Dream a Little Dream of Me: SATB Choral Octavo

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Dream a Little Dream of Me Cover Image

Dream a Little Dream of Me: SATB Choral Octavo

As performed by the Cast of Glee

Lyrics by Gus Kahn, music by Fabian Andre and Wilbur Schwandt / arr. Jay Althouse

Item: 00-35491

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Description
Appearing most recently on Michael Bublé's 2010 album Special Delivery, and also performed by Artie in Glee's "Dream On" episode, this timeless song has been recorded by decades of top singers, including Ozzie Nelson, Kate Smith, Doris Day, Bing Crosby, Ella Fitzgerald, Mama Cass Elliott, and Diana Krall. A classic for all ages.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dream a Little Dream of Me: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081396873
SKU: 00-35491

More about this title

About the Composer: Fabian Andre

Fabian Andre composed "Dream a Little Dream of Me" in 1931, creating one of the Great American Songbook's most enduring standards. His gift for melody and harmonic sophistication helped define an era of American popular song that continues to resonate across generations and musical styles.

Why we love this

Jay Althouse's arrangement captures the song's inherent warmth while remaining accessible for mixed choirs at various skill levels. The piece balances genuine musicality with straightforward vocal writing, making it equally rewarding whether you're programming a casual concert or a formal recital. Singers and audiences alike respond to music this instantly likable and historically rich.

What to expect

Dreamy and intimate, with a gently swaying rhythm that invites singers and listeners alike into a moment of nostalgia. The arrangement preserves the song's vintage charm and romantic quality while keeping the texture light enough to feel contemporary and fresh.

Who it's for

This octavo works beautifully for SATB choirs of intermediate ability who want to perform a recognizable, audience-friendly standard without excessive technical demands. Community choirs, school show choirs, church music programs, and concert ensembles will find this both a pleasure to rehearse and guaranteed to connect with listeners across age groups.

How to get the most out of it

  • Shape the phrasing to follow the natural contours of the melody rather than phrase marks alone; this song breathes best when singers listen to each other and move together through longer musical sentences.
  • Use the recorded accompaniment to establish the groove and harmonic color, especially during early rehearsals when your choir is learning the voicing and blend.
  • Balance the parts so the soprano line doesn't overshadow the supporting voices; the alto, tenor, and bass lines contribute essential harmonic warmth that makes this arrangement sing.

How to use it

Include this as a crowd-pleasing standalone piece in a pops or light classics concert, or pair it with other standards from the Great American Songbook to create a cohesive set. Its accessibility and cultural resonance make it ideal for community performances, holiday programs, or any context where you want to reach listeners emotionally without demanding extended technical prowess.

Skills your students will build

  • Balancing SATB voicing to highlight the melody while maintaining harmonic blend
  • Phrasing and shaping long melodic lines with attention to lyrical content
  • Performing swing and popular song idioms with authentic rhythmic and stylistic nuance
  • Interpreting a standard arrangement within the context of its cultural legacy

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