Come So Far (Got So Far to Go) (from <i>Hairspray</i>) Sheet Music Preview

Come So Far (Got So Far to Go) (from Hairspray): SATB Choral Octavo

From the Motion Picture Hairspray

Music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman / arr. Alan Billingsley

Item: 00-PO-0002916

Digital Download
$2.95

Minimum order quantity: 20 copies

Description
The only brand new song from the hit movie Hairspray arranged for mixed chorus. Also available for SSA. Great for graduation: "every year we get stronger." Kickin' and fun.

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Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0002916

More about this title

About the Composer: Marc Shaiman

Marc Shaiman has composed for stage and screen with remarkable range, from intimate musicals to blockbuster films. His work on Hairspray earned him an Academy Award nomination and demonstrated his gift for writing songs that feel both contemporary and timeless, with melodies that stick with audiences long after the final curtain.

Why we love this

Shaiman wrote this song specifically for the film, which means it captures the movie's infectious energy in a way that feels fresh even among his other Hairspray material. The message about growing stronger every year resonates genuinely with graduating singers rather than feeling like a forced fit, and the arrangement by Alan Billingsley gives your SATB choir genuine rhythmic drive without requiring gymnastics.

What to expect

The song moves with purposeful optimism, driven by infectious rhythms that feel more contemporary than theatrical. There's genuine buoyancy in the melody and harmonies, capturing the film's playful spirit while maintaining enough substance for a meaningful graduation moment.

Who it's for

This octavo works for mixed choirs at the high school and college level who want an uplifting closer that sits at a comfortable skill level. Singers respond to music that feels current and movie-connected, and this piece delivers both while remaining accessible for students without substantial pop music experience.

How to get the most out of it

  • Lean into the rhythmic precision of the accompaniment. The groove only works when your singers lock in with the recorded track, so use rehearsals to tighten ensemble attack on syncopated figures.
  • Let the sopranos and tenors have real projection on the higher passages without forcing them into a belted sound. Pop arranging for choral music still requires healthy vocal technique.
  • Highlight the lyrical strength of the chorus sections where all four parts move together. These moments anchor the piece emotionally and deserve clarity over flash.

How to use it

This works exceptionally well as a closer for spring or graduation concerts, particularly when you want to send the audience out with genuine warmth and forward momentum. It also pairs naturally on programs celebrating school anniversaries or season finales where the message of continuing growth feels authentic.

Skills your students will build

  • Rhythmic precision in syncopated pop arrangements
  • Blend and balance within a contemporary harmonic style
  • Confidence singing with recorded accompaniment
  • Stylistic understanding of modern musical theater writing

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