Carol of the Star: 3-Part Mixed Choral Octavo
Words and music by Donald Moore
Item: 00-PO-0002322
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About the Composer: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, where his deep knowledge of liturgical music and choral needs directly informs his compositions.
Moore has over 500 published works across sacred, secular, educational, and pop choral repertoire, along with organ and piano pieces and eight instructional texts. His works are frequent contest and festival selections, and he has received seventeen ASCAP Composers Standard Awards. The American Choral Directors Association recognized him as one of 400 composers of historical significance in American choral music.
Why we love this
Moore knows exactly how to write for mixed voices at the three-part level without sacrificing harmonic richness or emotional depth. The Latin refrain gives this carol a liturgical weight that distinguishes it from standard holiday fare, making it equally at home in a concert setting or a Christmas Eve service. Your singers will feel the sophistication in the writing, and your audience will hear the difference.
What to expect
Warm and reverent, with moments of genuine beauty. The carol unfolds with care, letting each phrase breathe, and the Latin refrain lifts the piece into something both timeless and immediate. This is music that asks singers to listen to one another and invites listeners into genuine reflection.
Who it's for
Directors programming Christmas services and concerts who work with mixed choirs at the intermediate level. Your singers need enough musical maturity to shape a phrase expressively and balance three distinct voice parts, but the writing remains accessible without compromising artistry.
How to get the most out of it
- Balance the Latin refrain carefully so it lands with clarity and reverence; this is the emotional anchor of the piece, not background material.
- Attend to voice part independence in the verse sections; SAB writing can blur if inner parts aren't heard distinctly.
- Use the recorded accompaniment to establish the harmonic language and help singers internalize the piece quickly, then gradually move toward independence if your rehearsal schedule allows.
How to use it
Lead with this piece in a Christmas concert to set a reflective, sophisticated tone. It pairs well alongside more celebratory carols and works beautifully as the centerpiece of a Christmas Eve or Advent service. At eight pages, it's substantial enough to feel like a complete statement without overwhelming a shorter program.
Skills your students will build
- Balancing three distinct voice parts with even blend and projection
- Singing Latin text with clear articulation and appropriate phrasing
- Shaping phrases with dynamic intention and harmonic awareness
- Reading SAB voicing with confidence in mixed-voice contexts