Carol of the Star Cover Image

Carol of the Star: 2-Part Choral Octavo

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Carol of the Star Cover Image

Carol of the Star: 2-Part Choral Octavo

Words and music by Donald Moore

Item: 00-31317

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Description
This expressive original carol will take your breath away and bring out the very best in your choir. One Latin phrase provides an elegant refrain in this distinctive selection for Christmas concerts and services.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Carol of the Star: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081340852
SKU: 00-31317

More about this title

About the Composer: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as one of the most published American choral composers of recent decades.

With more than 500 compositions in print across major publishers including Alfred Music, Hal Leonard, and Heritage Music Press, Moore writes across sacred, secular, educational, and pop idioms for choir, organ, and piano. His work has been performed at state contests, regional and national conventions, and earned him 17 ASCAP Composers Standard Awards. The American Choral Directors Association recognized him among 400 elite composers of historical significance in American choral music.

Why we love this

Moore's gift for memorable melodic writing combined with clear harmonic language makes this carol immediately singable for developing choirs without sacrificing musical depth. The Latin refrain creates a moment of textural and tonal contrast that gives the piece an elegant, liturgical character well-suited to both concert and service contexts. At eight pages with accessible 2-part writing, this is the kind of carol that sounds more sophisticated than it is to prepare.

What to expect

Serene and contemplative, this carol draws listeners inward with its gentle melodic contours and warm harmonic support. The introduction of Latin text feels like stepping into a candlelit moment of reverence, creating a sense of timelessness that transcends a single seasonal performance.

Who it's for

This carol works beautifully for middle school, high school, and community choirs seeking accessible yet musically substantial Christmas repertoire. The 2-part voicing is ideal for treble-dominant ensembles or mixed choirs in early stages of development, while the expressive writing will engage more advanced singers looking for meaningful holiday literature.

How to get the most out of it

  • Shape the Latin phrase with clean diction and slightly faster tempo than the English verses to highlight its role as a distinct musical moment.
  • Balance Part 1 and Part 2 so the harmony rings through without either voice overwhelming the other; this is particularly important in slower passages where chord color matters.
  • Use the recorded accompaniment during sectional rehearsals to help singers hear their part within the full harmonic context.
  • Let the expressiveness emerge from thoughtful phrase endings and breath placement rather than pushing for volume; the carol's power lies in its intimacy.

How to use it

Program this as a quiet moment in a Christmas concert, perhaps following a more energetic carol or between two contrasting pieces to give audiences time to settle. It pairs well in a service context where the blend of English and Latin creates a meditative bridge between modern and traditional worship.

Skills your students will build

  • Singing sustained vowels with consistent tone across phrase lengths
  • Balancing two-part harmony without sacrificing melodic independence
  • Singing Latin text with clear vowel formation and proper pronunciation
  • Shaping expressive lines through thoughtful breath placement and dynamic control
  • Ensemble blend and awareness of harmonic sonority

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