Carol of the Star: TTB Choral Octavo
Words and music by Donald Moore
Item: 00-PO-0001619
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More about this title
About the Composer: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He has spent his career as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, while building an extraordinary catalog of over 500 published compositions across sacred, secular, and educational genres.
Moore's work spans choral music, organ, piano, and educational collections, published through Alfred Music, Hal Leonard, Heritage Music Press, and other major houses. His compositions appear regularly at state contests, festivals, and music conventions across the country. He is a seventeen-time recipient of the ASCAP Composers Standard Award and was recognized by the American Choral Directors Association as one of 400 elite composers of significance in American choral music history.
Why we love this
Moore crafts a carol that feels both timeless and contemporary, with just enough harmonic sophistication to reward your singers without demanding excessive rehearsal time. The optional fourth voice at cadences gives you flexibility for mixed ensembles while keeping the core arrangement streamlined for men's voices.
What to expect
The piece balances reverence with warmth, combining a straightforward melodic foundation with thoughtful harmonic underpinning. The Latin refrain adds an element of liturgical dignity that elevates the carol into something more contemplative than celebratory.
Who it's for
Men's choirs looking for fresh Christmas repertoire that goes beyond familiar carols. This octavo works equally well for church choirs, university ensembles, and community groups seeking material with genuine artistic substance.
How to get the most out of it
- Balance the Latin refrain carefully so it registers as a distinct textural moment rather than a throwaway phrase; this contrast strengthens the overall arc of the piece.
- Shape the expressive lines through gentle dynamics rather than tempo changes; let the harmonic movement carry the emotional weight.
- Ensure good breath placement before the refrain sections so the shift in language feels intentional and unhurried.
How to use it
Program this as a contrasting middle selection on a Christmas concert alongside more traditional or energetic carols. It also serves well in holiday worship services where a moment of genuine reflection fits the liturgical flow.
Skills your students will build
- Singing with textual clarity across English and Latin text
- Balancing three-part harmony with secure individual lines
- Managing optional divisi passages and how to handle optional voice parts
- Shaping expressive phrasing within a moderate-length form