Cantate Domino Cover Image

Cantate Domino: SAB Choral Octavo

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Cantate Domino Cover Image

Cantate Domino: SAB Choral Octavo

By Sally K. Albrecht

Item: 00-24089

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Description
A strong piano accompaniment drives the rhythms of this concert work featuring a combination English/Latin text and a brief speech choir section. Available in editions for any age group, this exciting piece is great for concerts, festivals, and contests. Add the optional SoundPax of percussion instruments for more excitement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Cantate Domino: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081261966
SKU: 00-24089

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades as a composer, conductor, and advocate for choral movement in the classroom. Since 1987, she has received the ASCAP Special Music Award annually and has published more than 600 choral works alongside 75 larger musicals and songbooks. Her conducting has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent over 30 years directing school choral and vocal publications for major educational music publishers, most recently at Alfred Music.

Educated at Rollins College (B.A., 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has also taught at Oakland University, Jersey City State College, and Meredith College. She served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and holds the "Pillar of Leadership" award from that organization. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She and her husband, composer and arranger Jay Althouse, live in Wake Forest, North Carolina.

Why we love this

Albrecht brings her signature energy and movement sensibility to a piece that balances textual sophistication with pure singability. The piano accompaniment drives momentum throughout, and the blend of English and Latin text creates a ceremonial weight that still feels accessible to young singers. The optional percussion SoundPax gives directors a simple way to expand the color and impact, making this work genuinely versatile for different performance contexts and ensemble energy levels.

What to expect

Cantate Domino pulses with purposeful energy, anchored by a driving piano part that feels both liturgical and contemporary. The English and Latin text interplay gives the piece a ceremonial weight, while the speech choir section introduces a rhythmic spoken texture that breaks up the traditional singing and engages the ensemble in a new way.

Who it's for

Middle school and high school choirs performing at concerts, festivals, and contests will find this piece both accessible and musically substantial. The SAB voicing opens the work to younger or less experienced ensembles without sacrificing the compositional sophistication that programs expect from a concert-length work.

How to get the most out of it

  • Anchor the rhythm section by locking the piano accompaniment with any percussion instruments used; the strong rhythmic foundation makes the choir's entrances and phrase work clearer.
  • Approach the speech choir section as a rhythmic spoken ensemble piece rather than sung text; clarity and unified diction matter as much as melodic precision.
  • Experiment with the optional SoundPax percussion parts in rehearsal before deciding whether to include them in performance; even a full dress rehearsal with and without will help you gauge the effect on your specific ensemble.

How to use it

Position this piece as the centerpiece of a sacred or thematic concert program, where its combination of musical styles and performance elements can shine. It works equally well as a festival selection or contest entry, and the optional percussion parts allow you to scale the arrangement to match your available resources and performance venue.

Skills your students will build

  • Singing English and Latin text with appropriate pronunciation and diction
  • Executing rhythmic speech choir passages with ensemble precision and clarity
  • Responding to a strong piano accompaniment without relying on the vocal line to carry phrasing
  • Balancing blend and balance across SAB voicing in a contemporary harmonic context

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