Cantate Domino: 2-Part/SSA Choral Octavo
By Sally K. Albrecht
Item: 00-PO-0000114
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About the Composer: Sally K. Albrecht

Sally K. Albrecht brings three decades of experience shaping choral music for educational settings. As Director of School Choral, Vocal, and Elementary Publications at Alfred Music, she developed an ear for what works in rehearsal and performance. Her catalog spans over 600 choral publications and 75 musicals, with consistent recognition through the ASCAP Special Music Award since 1987. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. Her collaborative partnership with composer and arranger Jay Althouse, her husband, has further shaped her approach to accessible yet sophisticated choral writing. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College.
Why we love this
Albrecht writes with both ear and practicality. The strong piano accompaniment carries the rhythmic energy so your singers can focus on text clarity and blend, especially valuable when managing the English/Latin combination and the speech choir section. This is concert-ready material that competes at festivals without requiring extensive rehearsal time to achieve impact.
What to expect
Energy propels this piece forward from the opening. The combination of English and Latin text, paired with a rhythmically active piano, creates urgency and celebration, while the speech choir section provides a moment of textual directness before the full musical return.
Who it's for
Directors programming concert, festival, or contest repertoire for treble or mixed voices in grades 5 and up will find a piece that engages singers while remaining technically accessible. The 2-Part and SSA voicing options make it flexible for emerging and more experienced choirs alike.
How to get the most out of it
- Balance the English and Latin text by rehearsing each language section separately first, then blend them together at full tempo with the piano accompaniment to hear how the languages interact rhythmically.
- Treat the speech choir section as a moment of clarity and text projection rather than abandoning musicality; the contrast will land harder if the choral sections around it remain cohesive.
- Layer in the optional percussion SoundPax during your final rehearsals so the ensemble hears the fuller texture before performance and can adjust dynamics accordingly.
- Lock the rhythm with the piano accompaniment from the start; the strong harmonic drive only works if singers stay committed to precise rhythmic placement.
How to use it
Position this as a festival showpiece or concert finale where its rhythmic drive and multi-textual approach stand apart from your typical anthem. The optional percussion parts also make it ideal for a spring concert where you want to build audience energy.
Skills your students will build
- Reading and performing music with multiple languages (English and Latin) in the same phrase
- Balancing choral sound while maintaining rhythmic precision with a driving accompaniment
- Executing speech choir sections with musical intent and clear text projection
- Blend and balance in SSA or 2-Part voicing while sustaining harmonic accuracy