Can You Hear the Angels? Cover Image

Can You Hear the Angels?: 2-Part Choral Octavo

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Can You Hear the Angels? Cover Image

Can You Hear the Angels?: 2-Part Choral Octavo

Words and music by Greg Gilpin

Item: 00-43378

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Description
Sing about angels, shepherds, wise men, the star, and "the baby born in Bethlehem" with this spirited original for Christmas. Choirs of any age will sound their best on the gospel harmonies and catchy hook. After a modulating bridge lifts the piece to a higher level, invite your singers (and audience) to add handclaps over the final refrain!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Can You Hear the Angels?: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081489193
SKU: 00-43378

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings both extensive conducting experience and prolific compositional output to the choral music world. As an ASCAP award-winning composer and arranger, he has led performances at major venues including Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. His role as Director of Educational Choral Publications for Shawnee Press positions him at the center of contemporary choral repertoire development.

Beyond music, Gilpin has expanded his professional reach as a certified financial coach and professional organizer, appearing on network television and the series "Hoarders." He composed the award-winning score for the short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a world premiere arrangement of "What Child is This?" performed by the Indianapolis Symphonic Choir. Gilpin serves as an active member of ACDA, NAfME, and SAG-AFTRA, and holds life membership in Phi Mu Alpha Sinfonia.

Why we love this

This piece delivers genuine accessibility without sacrificing musical interest. The gospel harmonies sit naturally in 2-part voicing, the catchy hook ensures immediate engagement, and the modulating bridge provides that satisfying lift that makes singers feel they're building toward something. The built-in invitation for handclaps transforms the final refrain into a participatory moment that audiences love.

What to expect

Spirited and warm, with the narrative sweep of a carol that moves from stable imagery to celebration. The gospel harmonies ground the piece in a contemporary sound while the traditional Christmas story keeps it reverent, and the final section with handclaps shifts into joyful participation.

Who it's for

This octavo suits choirs across age levels, from middle school groups building foundational part-singing skills to adult ensembles seeking engaging holiday programming. It works equally well for school choirs, church choirs, and community ensembles looking for music that sounds polished without requiring extensive rehearsal time.

How to get the most out of it

  • Shape the hook with rhythmic precision and lift. It's the song's anchor, so lock the phrasing and articulation across both parts before layering in interpretive choices.
  • Balance the modulating bridge carefully. The key change should feel like a natural lift, not a jolt. Rehearse the transition point multiple times so singers feel confident moving into the higher key.
  • Prepare the handclap section as a true rhythmic element, not an afterthought. Conduct it clearly, establish the rhythm unambiguously, and consider whether you'll include just singers, the whole audience, or both.
  • Use the recorded accompaniment to anchor harmonic tuning, particularly on the gospel voicings where the alto line can drift. The recording also models the rhythmic pocket you're aiming for.

How to use it

Program this as a show-stopping closer to a Christmas concert where its participatory ending sends the audience out engaged and smiling. It also works as a strong opener if you pair it with more contemplative pieces, giving your concert a dynamic arc. For youth choirs, it's an excellent mid-season piece that builds confidence in part-singing while maintaining high musical interest.

Skills your students will build

  • Two-part harmony singing with gospel-influenced voicings
  • Executing smooth transitions and modulations to a higher key
  • Rhythmic precision in catchy, syncopated material
  • Blend and balance across changing harmonic textures
  • Sight-reading accessible but musically substantive choral writing

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