Can You Hear the Angels? Cover Image

Can You Hear the Angels?: SATB Choral Octavo

$2.05 USD
Sale price  $2.05 USD Regular price 
Skip to product information
Can You Hear the Angels? Cover Image

Can You Hear the Angels?: SATB Choral Octavo

Words and music by Greg Gilpin

Item: 00-43375

makemusic Cloud badge

Need it now?

Buy Digital Version
$2.05
Shipped

One moment…

Description
Sing about angels, shepherds, wise men, the star, and "the baby born in Bethlehem" with this spirited original for Christmas. Choirs of any age will sound their best on the gospel harmonies and catchy hook. After a modulating bridge lifts the piece to a higher level, invite your singers (and audience) to add handclaps over the final refrain!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Can You Hear the Angels?: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081489162
SKU: 00-43375

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin holds an ASCAP award for his choral compositions and arrangements, and he has established himself as a conductor of national prominence. His performances have taken him to Carnegie Hall and Lincoln Center in New York, Ryman Auditorium in Nashville, and international venues including the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. He serves as Director of Educational Choral Publications for Shawnee Press.

Beyond his work in choral music, Gilpin has expanded his professional practice into organizing and financial coaching, founding Maestro Organizing and appearing on network television and the popular series "Hoarders." In 2021, he composed the score for the award-winning short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a new arrangement of "What Child is This?" for the Indianapolis Symphonic Choir. He holds membership in ACDA, NAfME, SAG-AFTRA, and is a Life Loyal Member of Phi Mu Alpha Sinfonia.

Why we love this

Gilpin's gift for writing memorable hooks that stick with singers and audiences alike makes this carol feel immediate and fresh rather than reverent and distant. The gospel harmonies give your SATB choir genuine rhythmic and harmonic character to sink their teeth into, and the modulating bridge creates a structural momentum that naturally builds toward a satisfying climax. The invitation to add handclaps in the final refrain transforms a choral moment into a participatory celebration, turning passive listening into active joy.

What to expect

The music radiates warmth and invitation rather than solemnity. Gospel-inflected harmonies and a memorable hook create an infectious energy that feels celebratory and singable, while the building momentum toward the final refrain makes listeners want to move and participate alongside your choir.

Who it's for

This piece works beautifully for choirs across a wide age range, from middle school through adult ensembles. Its approachable gospel style and catchy refrain appeal to singers who enjoy contemporary language and rhythm-driven arrangements, and the straightforward SATB voicing keeps it accessible without sacrificing musical interest.

How to get the most out of it

  • Lock the rhythmic pocket during the verse sections; gospel grooves live and die by ensemble cohesion in the rhythm section and within each voice part.
  • Shape the modulating bridge as a real lift in energy and dynamics, using it as a moment for singers to reset their breath and mental focus before the final push.
  • Teach the handclap pattern separately from the vocal line so singers can secure the melody first, then layer in the rhythmic element without losing pitch control.
  • Use the recorded accompaniment during early rehearsals to establish the groove and melodic phrasing, then pull it back as singers gain independence.

How to use it

Program this as a late-concert opener or penultimate selection in a Christmas concert, where its upbeat character and audience participation element can shift the mood after more traditional carols. It also pairs well on services or secular holiday programs where you want to capture the season's joyful spirit without leaning heavily on religious solemnity.

Skills your students will build

  • Gospel harmony progressions and voice-leading
  • Rhythmic precision in syncopated melodic lines
  • Ensemble groove and rhythmic cohesion
  • Dynamic shaping and phrase architecture across a modulating bridge
  • Audience engagement and participatory performance techniques

You May Also Like