Burnin' Sky Sheet Music Preview

Burnin' Sky: Authentic Guitar TAB

Bad Company

Item: 00-PS-0013285

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Description
One of the first and most successful of the classic rock era super groups, Bad Company was formed by previous members of Free, Mott the Hoople, and King Crimson. This folio features full guitar TAB transcriptions of all their classic songs. Titles: Bad Company * Burnin' Sky * Can't Get Enough * Feel Like Makin' Love * Good Lovin' Gone Bad * Movin' On * Ready for Love * Rock 'n' Roll Fantasy * Rock Steady * Seagull * Shooting Star * Simple Man * Silver, Blue & Gold * Run with the Pack * Gone, Gone, Gone * Live for the Music * Electric Land * Deal with the Preacher.

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Additional Details
Series: Guitar TAB Anthology
Publisher: Alfred Music
Page Count: 120
SKU: 00-PS-0013285

More about this title

About the Composer: Paul Rodgers

Paul Rodgers is the voice and primary songwriter behind Bad Company, the supergroup that defined arena rock in the 1970s. He brought together musicians from Free, Mott the Hoople, and King Crimson to create a sound that balanced blues-based rawness with rock sophistication, penning many of the band's most enduring anthems during their first two decades together.

Rodgers's songwriting emphasizes melodic strength and emotional directness. His compositions became staples of classic rock radio and remain teaching examples of how to write rock songs that are both structurally tight and dramatically powerful, making them valuable study material for guitarists learning the craft of rock composition.

Why we love this

This TAB collection captures the guitar work that defined stadium rock without sacrificing accuracy or detail. Every transcription here represents a milestone in rock history, and the folio's breadth means your students can trace the evolution of Bad Company's sound across two decades of hit records in a single, focused resource.

What to expect

Powerful, groove-driven, and eminently singable. Bad Company's songs pulse with a blues-soaked confidence and melodic accessibility that makes them instantly recognizable, yet the underlying guitar work is sophisticated enough to reward careful study. From the chunky rhythms of the title track to the fluid lead work of "Seagull," there's both swagger and substance in every note.

Who it's for

Guitarists with intermediate to advanced reading skills who want to learn the iconic riffs and solos that shaped classic rock radio. This collection is ideal for players tackling rock repertoire, whether for ensemble performance, recital preparation, or historical study of the genre.

How to get the most out of it

  • Study the rhythm patterns first, especially on songs like "Feel Like Makin' Love" and "Can't Get Enough," where the guitar groove drives the song. Getting the pocket right before worrying about lead passages will anchor your performance.
  • Listen closely to the original recordings while reading the TAB. Bad Company's production and tone are part of the composition itself, and matching the recorded approach will help you understand the intent behind each lick and bend.
  • Mark difficult sections (fast runs, string skips, complex rhythmic figures) and isolate them at slow tempos before playing them at speed. Many of these songs contain deceptively tricky transitions between verse and chorus riffs.
  • Pay attention to dynamics and muting cues noted in the TAB. The distinction between palm-muted rhythms and open strumming is essential to capturing the energy difference between a verse and a climactic moment.

How to use it

Use these transcriptions as material for a classic rock focus within a guitar curriculum or ensemble, or feature individual songs in recitals to showcase how students handle the balance between rhythmic tightness and improvisational phrasing. The folio's breadth also makes it useful for guitarists who want a comprehensive overview of one band's catalog without juggling multiple resources.

Skills your students will build

  • Reading and executing complex rock rhythms, including syncopation and groove-oriented phrasing
  • Translating tablature into cohesive musical interpretation while matching recorded versions
  • Bending, vibrato, and other expressive techniques used in classic rock lead playing
  • Understanding the interaction between rhythm and lead guitar in a band context
  • Sight-reading across multiple string positions and fret ranges

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