Band Today, Part 2 Cover Image

Band Today, Part 2: Baritone (T.C.) Book

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Band Today, Part 2 Cover Image

Band Today, Part 2: Baritone (T.C.) Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00124

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Description
Band Today, Part Two is a basic method for the intermediate level of band development. This method book will help students further develop their musicianship and become valuable members of the school band!

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2952-2
ISBN13: 978-0-7692-2952-2
UPC: 029156183245
SKU: 00-CBC00124
Instrumentation: Baritone (T.C.)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped band curricula across three continents through his prolific output of over 800 published works. His credentials span composition study under Morris Hutchings Ruger at California State University-Long Beach, orchestration work with Knud Havalde of the Danish Royal Philharmonic Orchestra, and nearly two decades of public school teaching experience. The Contemporary Band Course, which he authored, remains a foundational text in music education and has been translated into French and Norwegian.

Ployhar's influence extends well beyond the page. He has conducted clinics and workshops at colleges and universities throughout North America and Europe, and his compositions have appeared on network television and been performed internationally in Japan and the Pacific Rim. His contributions to band music earned him the National Band Association Citation of Excellence and the Distinguished Alumnus Award from Valley City State University. He holds memberships in the American Bandmasters Association and continues to be recognized as a leading voice in music education pedagogy.

Why we love this

Ployhar understands what intermediate baritone players actually need: material that builds on foundational skills without overwhelming them. Band Today, Part 2 respects the player's growing musicianship while introducing the technical and ensemble challenges that prepare students to become section leaders and reliable ensemble members.

What to expect

Purposeful and grounded. The material builds logically, introducing new concepts at a pace that feels achievable without sacrificing musicality. Playing through these exercises and pieces, you feel yourself becoming more confident in the baritone's role as a vital bridge between the trumpet section and the tuba.

Who it's for

Baritone players in intermediate concert bands who have completed a foundational method and are ready to deepen their musicianship, technical control, and ensemble awareness. This book serves students who need structured, goal-oriented material to bridge the gap between beginner and advanced repertoire.

How to get the most out of it

  • Balance your tone with the tuba section. Your job is to anchor the low end harmonically, not to dominate it; listen carefully to what's underneath you and adjust your dynamics accordingly.
  • Work the valve combinations slowly before playing at tempo. Baritone requires precision in finger coordination, especially in the passages that jump between valve combinations.
  • Practice the rhythmic figures as written before adding expression. Once the rhythm sits solidly in your hands, musical phrasing flows naturally.
  • Pay attention to the bass clef transposition concepts presented in this book; locking in the relationship between treble clef reading and baritone fingering will accelerate your progress through later method materials.

How to use it

Use this as your primary method book during the fall semester to establish strong fundamentals before tackling more demanding concert repertoire. It also serves well as a reference resource throughout the year when you need to isolate specific technical challenges or refresh the band's collective approach to rhythm, intonation, and ensemble balance.

Skills your students will build

  • Reading and playing in treble clef on baritone with confidence
  • Valve coordination for leaps and intervallic passages
  • Rhythmic precision in mixed meters and syncopated figures
  • Dynamic control and tone shaping appropriate to ensemble context
  • Intonation awareness across the baritone's range
  • Understanding baritone's role in harmonic balance within the brass section

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